War Horse – New Theatre, Oxford

Writer: Michael Morpurgo

Adaptor: Nick Stafford

Director: Tom Morris and Katie Henry

It is hard to imagine a more powerful or emotionally draining piece of theatre being staged anywhere in the world than War Horse. Judging by the reaction of those in the New Theatre, it is a production that tugs at the heartstrings from the opening minutes through to its final seconds. And the cast and crew are amply rewarded with, perhaps, the warmest and most genuine standing ovation of their careers. It is a true example of the unique power of theatre.

Michael Morpurgo’s novel is a modern classic that is now deeply embedded in our culture. The stage adaptation by Nick Stafford has acquired a similar status since it premiered back in 2007. The production has, by necessity, evolved over the years to accommodate the restrictions of touring but it has not diluted the core of the original and the current version, directed by Tom Morris with revival director Katie Henry, packs all the right emotional punches and serves the characters with admirable clarity.

It is very much the product of real teamwork. Of course, the most famous element is the outstanding use of puppets created by the incomparable Handspring Puppet Company. The horses are incredible which after seventeen years should come as no surprise but for those who have not seen them in real life, it is hard to fully appreciate the presence and impact the puppets have in the theatre. Truly mesmerising.

Two other elements stand out for their impression on the audience. Rob Casey’s lighting has a huge presence, with a carefully considered balance of coloured and stark white light. The use of darkness is similarly well-judged.

Underpinning all the other elements is the music by Adrian Sutton. It is a score that draws heavily on the English pastoral tradition as well as the more brutalist elements of modernism that came to the fore as the twentieth century drew on. It is hard to imagine how the music could be done better.

An ensemble cast of more than thirty actors, singers and puppeteers is further testament to the power of teamwork. At the heart of the action is the engaging Albert of Tom Sturgess who perfectly guides the audience through the play capturing his joys, warmth and despair with confidence and charm.

It is a play that evokes very strong emotional reactions and so it might not be suitable for all family members. That it something that parents and guardians should consider ahead of booking tickets. However, it is such an outstanding piece of storytelling that it is something that anyone with even a passing interest in theatre should see.

We must never forget the horrors of the First World War and War Horse is a brilliant, visceral way of ensuring this period of history is kept alive for future generations. It is a play that will stay with you for a long, long time after you leave the theatre. Take tissues to wipe away your tears – you will need them.

Runs until 4 January 2025 and on tour