Aladdin – Stephen Joseph Theatre, Scarborough

Writer: Hanna Diyab

Adapter: Nick Lane

Director: Gemma Fairlie

Pantomime is an art-form steeped in British tradition. Participatory and topical, it has thrilled British audiences for centuries.

Usually offering a twist on the traditional fairy tale, SJT’s adaptation of the classic panto, Aladdin, is probably truer to its original concept than in previous productions. This is to the show’s merit. It’s no mean feat creating mesmeric theatricality on such a small scale but, guess what? Scarborough has done it again.

Staged, of course, in the round Aladdin is a mesmerising spectacle of enchantmentand joy. It is not often us critics are left speechless, but after attending this outstanding theatrical event (perhaps SJT’s best yet) one left the theatre feeling exhausted from what was an utterly enthralling experience, masterfully executed and bursting with brilliance. The audience were immediately transported into a world of vibrant wistfulness, electrifying performances and captivating storytelling that left us utterly spellbound.

Productions at this cosy little venue never disappoint and, just as evident here, visual grandeur and fancy sets and costumes are left at the stage door. The actors, dialogue and slick musical staging are unparalleled, with simple staging and minimalist design elements that immerses us into the magical, if not slightly bonkers, world of Scarbosia, a kaleidoscope of creativity that seamlessly balances traditional pantomime whimsy with modern theatrical innovation.

The cast is excellent, delivering performances that were not only hilariously engaging but profoundly heartfelt. The uproarious comedic script matched with impeccable timing from the players created such an undeniable rapport with the audience. The musical numbers were fantastical too (a personal favourite being Snap’s I Got the Power) and the auditorium was buzzing with younger and older patrons filled with Christmas cheer. The superb sound design deftly created by Simon Slater adds a dynamic layer to the auditory experience, perfectly complementing the stellar vocal performances.

Special commendation must be given to the direction and script, which masterfully blends classic pantomime traditions with clever, contemporary humor and audience interaction. It feels fresh yet delightfully nostalgic, appealing to both the children and adults alike. One hopes that Scarborough maintains this partnership with Nick Lane (writer) and Gemma Fairlie (director).

In sum, Aladdin at the Stephen Joseph Theatre is a resplendent triumph – a joyous celebration of theatre that captures the magic and wonder of the season. This is not merely a performance; it is an unforgettable experience that will linger in your heart long after the final curtain call; the entire cast delivering such a scintillating production. If the team behind Monty Python had created a pantomime it would be just like this – insanely good and just the tonic for your Christmas spirits. All the theatrical components of a traditional family pantomime are there but this just simply shone like the star on top of the tree.

The community are proud of their theatre here in Scarborough and a warm welcome is always received from the team. If you see only one panto this year, make it this one.

Runs until 28th December 2024