DramaFeaturedLondonMusicalReview

My Son’s a Queer (But What Can You Do?) – Garrick Theatre, London

Reviewer: Andrew Houghton

Writer: Rob Madge

Director: Luke Sheppard

Rob Madge is a pioneer. The child star turned social-media sensation is currently queering up London’s West End with some of the most fabulous and joyful non-binary representation the capital has even seen in their solo show My Son’s a Queer (But What Can You Do?).

Following overwhelming success during its debut at the Turbine Theatre last year, and again at this year’s Edinburgh Fringe, the show is undoubtedly a hit; charting Madge’s eccentric childhood, theatrical tendencies and queer identity with glitter, humour and heart. Madge belongs in the spotlight and their star continues to rise as they move their cosy living room set onto the stage of the Garrick Theatre. While a couple of early references to ‘being on a budget’ are no longer as fitting in the grander space, Madge’s infectious personality fills the venue with ease.

Madge is an experienced entertainer, performing almost since birth it seems, but they achieved viral fame when videos of their Disney parade surfaced online. Now they attempt to recreate the magic live, supported by iconic home videos of their childhood, with a seven-step guide to putting on your own show. This may not result in the most sophisticated narrative structure, but it provides an efficient enough vehicle for Madge to tell their story.

And they are a storyteller indeed! With charisma and talent in abundance, Madge knows their audience well and they stop the show countless times with a subtle side eye or specific pop culture reference that leaves the theatre in hysterics. A catchy score, available to stream online, complements the journey and, though most of the numbers aren’t vying for musical theatre’s next great showstopper, the finale packs a particular punch as a moving queer anthem.

This strong heart is what makes the production truly unique. Beneath the glitter and gaiety is a deep sense of pride and queer solidarity. Madge infuses the Garrick with an inclusive atmosphere as they invite you into their living room, and their life; performing with unapologetic openness about their identity and demonstrating affecting vulnerability at points. Whilst there is a current of hurt that runs beneath the surface of the tale, as with so many queer people growing up, this is never given too much weight or space; the production is about love, not pain.

My Son’s a Queer (But What Can You Do?) Is a love letter to nobody more than the couple inferred in the title, Madge’s parents. They play a significant role in the storytelling – Dad very much so in the home videos played throughout – and are a queer child’s dream. The way that they supported Madge from childhood, embracing them with wholehearted acceptance, is inspirational.

Madge’s autobiographical production is a shining piece of modern theatre. Hilarious and innovative; who knew viral videos and theatre could intersect to create such a glorious experience?

Runs until 6 November 2022

The Reviews Hub Score

Inspirational

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The Reviews Hub - London

The Reviews Hub London is under the editorship of Richard Maguire. The Reviews Hub was set up in 2007. Our mission is to provide the most in-depth, nationwide arts coverage online.

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