The Lightning Thief: The Percy Jackson Musical – Darlington Hippodrome

Book: Joe Tracz

Music and Lyrics: Rob Rokicki

Director: Lizzi Gee

Even if you’ve never picked up a Percy Jackson book, The Lightning Thief: The Percy Jackson Musical is surprisingly easy to jump straight into. Within the first few minutes the show clearly sets up the story, so you don’t feel like you’ve wandered into the middle of something you’re supposed to already know.

The plot follows Percy Jackson (Vasco Emauz), a teenager who discovers he’s actually the son of the Greek god Poseidon. After a monster attack leaves his mum in danger, Percy ends up at Camp Half-Blood, a summer camp for demigods, and is soon sent on a quest with his friends Grover and Annabeth to recover Zeus’ stolen lightning bolt before the gods start a war. It’s a lively, adventurous story and the show leans into the fun of it, blending Greek mythology with teenage chaos and a big dose of pop-rock energy.

The central trio really shine in the production. Vasco Emauz captures Percy’s confusion, frustration and gradual growth in confidence, and the role is a serious physical feat given he’s rarely off stage. Kayna Montecillo’s Annabeth is sharp, clever and determined, delivering a standout performance in My Grand Plan. Meanwhile, Cahir O’Neill brings warmth and well-timed humour to Grover, creating a character who is both the clown and genuinely heartfelt. The chemistry between the three makes their friendship feel believable and gives the story its emotional centre.

The supporting cast take on multiple roles throughout the show, moving smoothly between gods, monsters and mortals. Danny Beard’s Mr D (Dionysus), the perpetually unimpressed camp director, is a particularly memorable presence. Dressed in a sparkly suit with a towering orange wig, the character is wonderfully over-the-top while still fitting neatly into the show’s playful tone.

Musically, Rob Rokicki’s pop-rock score drives the show along at a lively pace, performed by a talented live band. With more than twenty songs packed into the two-hour runtime, the energy rarely drops. Lizzi Gee’s direction and choreography keep things moving with sharp, modern staging that gives the whole production a slightly concert-like feel without losing the storytelling.

The design elements are especially impressive for a touring show. Ryan Dawson Laight’s industrial-style set — built from scaffolding and platforms — transforms into everything from Camp Half-Blood to the Underworld. Combined with clever projections, lighting and illusions, the stage frequently feels alive with mythical elements. The appearance of the Minotaur is a particularly striking moment, but there are lots of smaller magical touches throughout.

It’s not entirely flawless. A few scenes lean a bit too heavily into spectacle, with lights that are occasionally too bright, and the ending rushes through some plot points fairly quickly. But the show isn’t trying to be a complex epic. Instead, it focuses on adventure, friendship and the idea of finding where you belong.

Overall, The Lightning Thief: The Percy Jackson Musical is energetic, funny and packed with heart. With a committed young cast, clever staging and plenty of mythological mayhem, it’s a joyful stage adaptation that captures the spirit of Percy’s world while delivering a thoroughly entertaining night at the theatre.

Runs until 14th March 2026 and on tour.