FeaturedLondonMusicalReview

The Great Gatsby: A New Musical – The London Coliseum

Reviewer: Emily Davison

Writer: Kait Kerrigan

Director: Marc Bruni

Music and Lyrics: Jason Howland and Nathan Tysen

The Great Gatsby: A New Musical leads the audience into the glitz and glamour of the Roaring Twenties in a bold reimagining of F. Scott Fitzgerald’s iconic novel. Written by Kait Kerrigan, with music and lyrics by Jason Howland and Nathan Tysen, the show is set in the decadent world of Long Island’s elite, The story follows the millionaire Jay Gatsby as he throws lavish parties in hopes of rekindling a lost romance with his former love, Daisy Buchanan. Narrated by Daisy’s cousin Nick Carraway, the show explores themes of longing, illusion, and the dark side of the American Dream, told through a stunning mix of music, dance, and visual spectacle.

Talk about a powerhouse leading pair. Jamie Muscato as Jay Gatsby and Frances Mayli McCann as Daisy Buchanan absolutely bring the house down in their sensational performances. Their vocals are nothing short of breathtaking, earning a well-deserved three-minute applause. But it’s not just their vocal prowess that impresses, it’s their electric chemistry on stage that keeps the audience completely hooked from start to finish.

The music is a triumph. A thrilling and emotional rollercoaster that captures the glittering highs and haunting lows of the Jazz Age. From lively, toe-tapping numbers to soulful ballads, the score pulses with energy and elegance. All of this is wrapped in the 1920s atmosphere, brought to life with a lavish set and dynamic lighting that seamlessly transitions between scenes. Moving screens reveal and conceal characters in true Gatsby fashion, matching the mystery of the man himself.

Corbin Bleu and Amber Davies, as Nick Carraway and Jordan Baker, light up the stage with a fun, flirtatious dynamic that makes them the unexpected favourites of the night. Their performances add warmth and wit to a story steeped in longing and tragedy, and their chemistry provides a welcome counterbalance to Gatsby and Daisy’s more intense love story.

Rachel Tucker delivers a standout performance as Myrtle Wilson, turning the character into someone the audience roots for. Her portrayal evokes both pity and admiration, especially in contrast to the villainous Tom Buchanan, played with perfect sleaze and arrogance by Jon Robyns. His portrayal is deeply unlikeable (in the best way) and sets the tone for the darker elements of the plot.

The ensemble is a force of its own, fluidly transitioning from scene to scene, whether as partygoers or staff at Gatsby’s mansion. Their choreography is vibrant, drawing the audience into the heart of the 1920s and making them want to jump up and dance. Their shimmering, era-perfect costumes, designed by Linda Cho, glitter under the lights.

Under the direction of Marc Bruni, the production balances glamour and grit. The characters feel fresh yet familiar, true to F. Scott Fitzgerald’s iconic novel. There’s humour and heartbreak, all of which makes this Gatsby feel both classic and contemporary.

This Great Gatsbyis a visually stunning, emotionally resonant, and thoroughly entertaining production. It captures the heart of the novel while giving it a new, musical heartbeat that’s sure to keep audiences coming back for more.

Runs until 7 September 2025

The Reviews Hub Score

A great Great Gatsby

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The Reviews Hub London is under the editorship of Richard Maguire. The Reviews Hub was set up in 2007. Our mission is to provide the most in-depth, nationwide arts coverage online.

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