Trygve Wakenshaw’s Silly Little Things is a masterclass in mime and clowning, marking his triumphant return to the Edinburgh Fringe after seven years away. The crowd is enthralled by Wakenshaw’s performance, which is both ludicrous and heart-breaking. Under the layers of physical comedy comes a surprisingly deep analysis of loneliness, companionship, and the small events that create our lives.
Wakenshaw’s physicality is mesmerising throughout. His wiry frame twists and contorts in ways that at times defy logic, with each movement meticulously used to conjure entire worlds with nothing more than a gesture or a glance and often a mouth noise. It’s rare to see an artist so completely in command of his craft. Wakenshaw uses his talent to full effect, whether pulling invisible rabbits out of invisible hats or engaging the audience in a card trick with no cards. Physically, Wakenshaw is like a young Steve Martin in his ability to not only use his body to get the joke across but also, seemingly every muscle in his well-animated face and every possible noise he can make with only his mouth.
The show’s minimal use of props and sound effects only adds to its charm, allowing Wakenshaw’s mime work to shine. The audience’s reactions of gasps, groans, and laughter create a shared experience that feels magical. A scene involving an audience member who really gets into it and almost, for a moment at least, steals the show, showcasing Wakenshaw’s ability to blend humour with heart in a way that feels both effortless and deeply satisfying.
What makes Silly Little Things truly stand out is its emotion. Wakenshaw may be playing with silliness on the surface, but the show’s structure is carefully crafted to lead us from laughter to moments of genuine pause for thought as we reflect on our own existence and place in the world. By the time the show reaches its quietly powerful finale, the audience is left marvelling not just at Wakenshaw’s physical skill but at how he’s managed to touch on something universal. A show that will definitely stay with you long after, it’s a sublime blend of comedy and introspection that cements Wakenshaw’s status as a true master of his art.
Runs until 25 August 2024 | Image: Contributed
The Reviews Hub Score
Absurdly Profound, Physical Mastery
