The Rocky Horror Show – The Alexandra, Birmingham

Writer: Richard O’Brien

Director: Christopher Luscombe

Stepping into The Alexandra, it is clear to see that The Rocky Horror Show is no ordinary theatre performance: it’s an experience. From theatre-goers in gold bedazzled blazers and red wigs to fishnet-clad theatre staff, the magic begins as soon as the doors open. The atmosphere continues in the auditorium, where audience participation is a time-honoured tradition. For the uninitiated, it can definitely be a bit of a shock, but it is one that should be fully embraced in order to get the most out of the evening!

We are first introduced to Jackie Clunes who makes a divine turn as The Narrator, oozing charisma and sharp wit as she skilfully negotiates through the show, mixing scripted lines with comedic responses to audience shout-outs – of which there are MANY. The script is so well-known that the audience comes pre-prepared with rehearsed lines. However, there are some tweaks to the original script including some cheeky swipes at the sitting US president. In a production where many audience members know the script like the back of their hand, it makes the show feel fresh and unexpected.

The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged but naïve young couple. When Brad’s car gets a flat tyre, they seek help at a mysterious nearby castle, where they encounter the mad scientist Dr. Frank N. Furter, his eccentric servants Riff Raff and Magenta, and a horde of party-loving groupies. An affectionate nod to science fiction B-movies of the 1950s, the plot can feel like a sideline to the outrageous antics happening on stage.

Connor Carson (Brad) and Lauren Chia (Janet) are adorable as the lovestruck couple. They get the chance to showcase their talent, excelling at the characters’ physical comedy and nailing both comic and emotional musical numbers.

Job Greuter’s Riff Raff welcomes them to the castle with the song Over at the Frankenstein Place, a soulful number that shows off his incredible singing voice. With his gangly legs, gaunt face and cryptic smile, he is an electric presence throughout the show, ably supported by the equally zany but underutilised Magenta (Natasha Hoeberigs), and the delightfully ditzy Colombia (Jayme-Lee Zanoncelli).

They are accompanied by Morgan Jackson as Rocky, a tanned, toned creature made in Frankenstein fashion, and Edward Bullingham doubling up as Eddie and Dr Scott. Jackson finds a great balance between himbo-esque mannerisms and childish vulnerability and, above all, he must be applauded for his exceptional gymnastic skills. Unfortunately, the usually iconic entrance of Eddie (a role originated by legendary singer Meat Loaf) falls a bit flat in this production, as does his untimely demise which happens off-stage. However, Bullingham makes up for it in his spirited portrayal of Dr Scott.

Making a dramatic entrance, Adam Strong stuns as the statuesque Dr. Frank N Furter, commanding the stage as he struts about in little more than stockings, suspenders and a basque. He gives a strong vocal performance in classic numbers Sweet Transvestite, I Can Make You a Man and I’m Going Home. Strong’s portrayal of Frank N Furter is incredibly charismatic and charming but lacks some of the ferocity that one might expect from the role. The crux of Frank’s character is his unpredictability and temper, and Strong’s Frank N Furter does not appear to pose much of a threat to our heroes.

There is a lot to love about Director Christopher Luscombe’s production, as he breathes new life into a beloved cult classic. The set design by Hugh Durrant pulls us into a surreal world that is simultaneously retro and futuristic, with 1950s-styled cars, gothic Victorian furniture, and science laboratories. The set is brought to life by Nick Richings’ psychedelic lighting, filling the stage and auditorium with bright colourful beams. The on-stage band, led by Greg Arrowsmith, performs the songs seamlessly throughout, combined with slick choreography by Nathan M Wright performed with gusto by the whole cast, with The Time Warp being an obvious fan favourite.

It’s worth remembering that The Rocky Horror Show may never appeal to everyone, but with its irrepressible energy, catchy songs, audience participation, and a talented ensemble cast, it is definitely an unforgettable night out. If The Rocky Horror Show has been on your theatre bucket list for a while, or you’re already a fervent fan, then perhaps it’s time to do The Time Warp (again!)

Runs until 22 March 2025 and on tour