Music: Benji Bower and Barnaby Race
Writer: C S Lewis
Adaptor: Sally Cookson
Director: Michael Fentiman
This production of The Lion, the Witch and the Wardrobe delivers an enchanting experience that beautifully captures the magic of C.S. Lewis’ classic novel. With a talented cast and an impressive array of creative elements, the show effortlessly brings the world of Narnia to life. Though there are moments that feel a bit anti-climactic, the overall experience is thoroughly enjoyable, especially for a family night out at the theatre.
The story follows the four Pevensie children, Peter, Susan, Edmund, and Lucy, as they stumble upon the magical land of Narnia through an enchanted wardrobe. As they navigate the challenges and adventures that await them, they are drawn into a battle between good and evil, led by the White Witch and the noble Aslan, the lion.
The choreography, led by Shanelle Fergus, is a highlight. From lyrical movements that capture the grace and mysticism of Aslan and the creatures of Narnia, to tribal dances that add intensity and rhythm to key scenes, the choreography heightens the emotional stakes of the play. Fergus’ ability to blend fluid, dreamlike sequences with more earthy, primal dances makes for a dynamic performance, underscoring the contrasts between the forces of good and evil.
While the production is visually spectacular and thematically engaging, one of its most delightful surprises is Kudzai Mangombe’s portrayal of Lucy. As the youngest Pevensie child, Lucy’s innocent wonder and trusting nature could easily be overshadowed in a large ensemble. However, Mangombe’s performance is pitch-perfect – her calm demeanour and unwavering belief in the goodness of Narnia, especially in the face of doubt from her older siblings, feels genuinely heartfelt. Her portrayal brings depth and warmth to the character, and she is a joy to watch on stage, radiating sincerity.
Shane Antony-Whitely’s Peter is strong and commanding, while Joanna Adaran’s Susan brings a quiet grace to her role, providing a great counterpoint to Edmund’s more conflicted, brash character, played with great energy by Bunmi Osadolor. Together, they make for a believable and charming family dynamic.
While the show generally keeps the energy high, a few scenes do feel slightly anticlimactic, particularly in the second act, where some moments of tension seem to fall flat. These lulls in pacing are minor but do affect the flow of the show in certain places. Nevertheless, the heart-warming conclusion and the thematic resolution of Narnia’s battle for freedom bring the evening back on track.
In the end, The Lion, the Witch and the Wardrobe is a visually stunning and family-friendly production. It may not reach the emotional peaks it sometimes strives for, but the combination of impressive design, skilled choreography, and standout performances ensures a memorable night for all.
Runs until 1 November 2025 and on tour
