Book & Lyrics: Jethro Compton
Music & Lyrics: Darren Clark
Director: Jethro Compton
Dedicated UK theatre fans will no doubt be aware of the hype around The Curious Case of Benjamin Button’s stage adaptation. Having run twice at Southwark Playhouse, to great critical acclaim, the musical by Jethro Compton and Darren Clark is rumoured to be one of the most surprising hits in recent years. Anticipation for the West End transfer has been rife, but the wait is finally over, and the payoff is absolutely stellar.
The musical reimagines the classic short story by F. Scott Fitzgerald, still seeing Benjamin born at the age of 70 but relocated to 1918 Cornwall and de-ageing across the twentieth century. To clarify, this is not an adaptation of the 2008 film which shares the same title. Rather than a dazzling Hollywood affair, this down-to-earth take on the tale is whimsical and intimate.
As expected with a company consisting entirely of actor-musicians, the songs of The Curious Case of Benjamin Button are very much integral to the storytelling. Not quite sung-through, yet delivering most of the plot progression through a rich folk score, it brings to mind another recent crowd-pleaser, Come From Away.
This may seem like a daunting comparison to make, but the similarities don’t stop there. The Curious Case of Benjamin Button also shares the quality of creating an entire community through the narration of its multi-role ensemble cast. The titular character stands out, of course, but his life is in so many ways influenced by the actions of those around him.
A surprising success of Compton and Clark’s adaptation is how inherently vulnerable it feels. Those familiar with Benjamin Button’s affliction may anticipate a more mystical or fantastical journey, but the musical is deeply moving in its depiction of the pain such a situation would actually involve.
In the titular role, John Dagleish’s performance is a work of art. You would expect that he had been with the production since early in its conception, as his polish and precision in the role are outstanding. Dagleish’s changing physicality is remarkable, as he gradually de-ages himself in a way that is both masterful and magical. You can identify the nuanced, skilful choices made to signify his advancing youth, yet the effectiveness of these changes feels beyond belief.
Another standout is Clare Foster as Elowen, Benjamin’s love interest. She is charismatic, headstrong, and endearing as she ages naturally against Dagleish. The magnificent connection between the pair is very easy to invest in, which inevitably leads to tears as the couple fight for their relationship, which can only end in tragedy.
Overall, the entire company impress with pitch-perfect vocals and entertaining characteristics of the neighbours who make up Benjamin’s world. They balance these moments of individuality with a fantastic choral presence, and the spectacular wall of sound they create inspires chills frequently throughout the piece.
The Curious Case of Benjamin Button is one of those shows which deserves more than the five stars available to give. Whether it finds the commercial success it undoubtedly deserves or simply continues to grow its existing cult reputation, this musical will be remembered as a highlight of London’s theatre history. Nobody in good faith can deny the intelligence, talent and beauty currently being showcased at the Ambassadors Theatre.
Booking until 15 February 2025
The Reviews Hub Score
Magnificent
