Ted Hill’s 110 Percent Normal is a whirlwind of eccentricity and humour that both defies and conforms to conventional comedy norms. Hill immerses the audience in a world where the bizarre and the humorous seamlessly coexist from the moment he steps onto the stage. Hill’s performance is an eclectic mix of offbeat energy and sharp wit, delivered with a style that is entirely his own. This distinctive approach makes the show standout in today’s comedy scene.
Hill is working on his elephants, both metaphorically and digitally. What does it mean to be autistic today, and is he? The show is an unpredictable journey through Hill’s mind, characterised by his clever use of multimedia elements that are woven into the fabric of his storytelling. These elements, ranging from well-crafted videos and animations to tech-infused surprises, are not just there to boost some laughs but are integral to the experience, amplifying the absurdity and continuously keeping the audience engaged. The result is a performance that feels both meticulously planned and refreshingly spontaneous, as if Hill is sharing a live stream of his thoughts and experiences in real time while also having meticulously planned even the smallest details.
The show is so heavily planned that the thought-provoking moments feel somewhat heavy-handed. Hill seems to have plotted out exactly where he wants the audience to laugh, think, and feel to such an extent that when we do pause for something other than laughter, it can feel forced and abrupt. A more cohesive throughline in the more poignant parts of the piece might have made for a more seamless experience.
Even when a minor technical issue arises during the performance, Hill’s quick wit turns it into an opportunity for further laughs, showcasing his skill in keeping the audience engaged no matter what. The show is a rollercoaster of laughs, leaving you thoroughly amused by the end.
Runs until 26 August 2024 | Image: Contributed
