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Tag Archives: Theatre 503

Cuzco – Theatre 503, London

Writer: Victor Sánchez Rodriguez Translator: William Gregory Director: Kate O’Connor Reviewer: Stephen Bates Tourists visiting the city of Cuzco, high in the Peruvian Andes, tend to observe that remnants of the Inca civilisation seem to be outliving those of their Spanish conquerors. This 70-minute one-act play, named after that city, likens the legacy of Spanish colonialism to the crumbling relationship ...

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Caterpillar – Theatre 503, London

Writer:  Alison Carr Director:  Yasmeen Arden Reviewer:  Richard Maguire Caterpillar opens the new autumn season at Theatre 503, one of London’s stalwarts of new writing. For the first half of this play, set in a B&B in a seaside town, it seems like the season is off to a good start, but a sudden plunge from comedy to horror in ...

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WEIRD – Theatre 503, London

Writer: Lucy Burke Director: Peter Taylor Reviewer: David Guest Writers have never been shy about tackling mental illness on stage: King Lear, Hamlet, A Doll’s House, A Long Day’s Journey Into Night and more recently the musical Dear Evan Hansen have all dared to deal with an “invisible” illness too often used as a cheap way of getting laughs. Every ...

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Reared – Theatre 503, London

Writer: John Fitzpatrick Director: Sarah Davey-Hull Reviewer: Maryam Philpott Out with the old, in with the new seems to be the rather strange theme of John Fitzpatrick’s new play Rearedpremiering at Theatre 503, which deals with the Malthusian idea of surplus population in one small house in suburban London. With an ageing population placing greater pressures on societal resources this ...

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Br’er Cotton – Theatre 503

Writer: Tearrance Arvelle Chisholm Director: Roy Alexander Weise Reviewer: Karl O'Doherty Works like Br’er Cotton are an excellent opportunity for reflection on what role theatre should take in social discourse. In an interview for Theatre 503, writer Tearrance Arvelle Chisholm tells us that a driving force behind the creation and development of the work was anger - the creative process ...

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Lobster – Theatre 503, London

Writer: Lucy Foster Director: Kayla Feldman Reviewer: Maryam Philpott The reference to the lobster as a symbol of true love was introduced into popular culture more than 20 years ago by the sitcom Friends and, for those of a certain age, has become a humorous alternative for what sickly rom-coms and women’s magazines had termed ‘the one’. Lucy Foster’s new ...

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Punts – Theatre 503, London

Writer: Sarah Page Director: Jessica Edwards Reviewer: Stephen Bates The hardest part of parenting can be letting go, as Antonia and Alastair eventually come to realise in Sarah Page's new one-act comedy. Their 25-year-old son Jack has learning difficulties, so perhaps they feel justified in keeping him on a short lead, but are they going too far when they decide ...

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No Place For a Woman – Theatre 503, London

Two women looking at each other

Writer: Cordelia O’Neill Director: Kate Budgen Music: Elliott Rennie Reviewer: Ann Bawtree Cordelia O’Neill’s intriguing play No Place for a Woman commands the attention of the audience for a full hour and a quarter, with no break, but is so gripping that the time passes unnoticed. The two protagonists, performing with astonishing virtuosity, snap and crackle at each other, seemingly ...

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