Music and Lyrics: Ray Davies
Book: Joe Penhall
Director: Edward Hall
Sunny Afternoon delivers an energetic tribute to The Kinks, driven by a strong cast who offer authentic, thoughtful reproductions of the original works. While the production is polished and engaging, its strengths lie firmly with the performers and the music rather than the narrative.
Danny Horn brings a measured intensity to Ray Davies, capturing both the introspection and the flashes of passion that defined the frontman. His vocals are assured and stylistically authentic, but it is the quiet, internalised conflict that gives the character shape. Opposite him, Oliver Hoare offers a raw yet charismatic turn as his brother, Dave Davies. His performance has an impulsive, restless energy that contrasts neatly with Horn’s restraint, and together they create a believable, textured sibling dynamic that anchors the show’s emotional core.
The narrative itself is functional. Joe Penhall’s book follows the band’s ascent, their industry disputes and the familiar frictions between the brothers, but the material seldom gains the dramatic weight it needs to elevate the piece. The Kinks’ real-life story avoids sensationalism, and the musical reflects that, resulting in a sequence of lightly sketched conflicts that serve more as connective tissue for the songs than as compelling drama in their own right. While this limits the show’s dramatic impact, manufacturing conflict where none existed would feel disingenuous, leaving little room to address the imbalance.
Musically, however, the production is consistently strong. The ensemble delivers Ray Davies’ catalogue with impressive precision, moving seamlessly between acting, harmonising and live instrumentation. Numbers such as You Really Got Me, Lola and Waterloo Sunset land with clarity and confidence, showcasing both the cast’s range and the enduring appeal of the material.
Technically, the staging is simple but effective, with lighting and a well-balanced sound design that keeps the focus on the performers. The result is a show that thrives on musical talent and period atmosphere, even when the storytelling remains understated. Sunny Afternoon is an enjoyable evening, particularly for audiences drawn to The Kinks’ songbook. Strong central performances elevate the material, even if the narrative never rises to meet them.
Runs until 29 November 2055 and tours nationally until 30 May 26.
