Writer: Liam Scanlon
Director: Laura Rinati
Safehouse follows the story of two lonely gay men who have a chance encounter in London – twice.
The initial ambition to craft a compelling love story, unfortunately, falters in a maze of disjointed storytelling. Neither the actors nor the set has the gravitas to fill the space and the aimless direction leads to the total misuse of the stage. While budget constraints may play a role, they cannot excuse the lacklustre and amateurish design choices that fail to inspire creativity. Every aspect appears unengaging, leaving much to be desired.
The lukewarm acting not only lacks range and depth but also the technical ability to project and articulate the lines the actors are seemingly reciting rather than embodying. The actors break character, seemingly forgetting lines and stumbling over words, leading to an exasperating audience experience. Moreover, the absence of chemistry among the cast instantly undermines the credibility of the narrative. The introduction of a new character in the latter part of the play feels out of sync, almost belonging to a different production altogether. Despite briefly injecting some entertainment, it is for reasons unintended and thus overshadows the supposed dramatic pinnacle of the plot.
Liam Scanlon’s writing lacks a clear direction, frequently changing topics abruptly and attempting to cover an excessive breadth without depth. Striving for complexity, the narrative feels short, veering instead into confusion. Instead of intricacy, the attempt feels akin to a mundane lesson in history or geography, particularly when Scanlon seeks to integrate the essence of London into the storyline. Ultimately, the plot lacks a discernible structure, rendering it shapeless and bereft of coherence.
Runs until 14 December 2023
The Reviews Hub Score
Amateur and disappointing
