Creators: Julia Donaldson and Axel Scheffler
Dramaturg: Toby Mitchell
Music and Lyrics: Jon Fiber and Andy Shaw
Director: Olivia Jacobs
The Witch taps her broomstick and WHOOSH, we are off on an exciting adventure with Harrogate Theatre, Tall Stories and a staged version of Julia Donaldson and Axel Scheffler’s Room on the Broom.
Room on the Broom is a delightful children’s book. The story follows a kind-hearted witch and her cat as they invite three other animals – a dog, a bird, and a frog – to join them on their adventures aboard her broomstick.
This enchanting tale has been translated into 22 languages and has received six prestigious book awards, including those from Scotland, Sheffield, Stockport, Norfolk, Blue Peter, and Mumsnet. Originally published by Macmillan in 2001, it has since been adapted into an animated film narrated by Simon Pegg, featuring the voices of Martin Clunes, Rob Brydon, Sally Hawkins, David Walliams, Gillian Anderson and Timothy Spall. The film was even nominated for an Academy Award for Best Short Animated Film in 2013.
Children’s theatre performances often miss the mark by prioritizing energy instead of depth. While it’s simple to get a group of kids buzzing with excitement, the real challenge lies in bringing them back to a calm state without losing character. This cast skillfully engages their young audience, encouraging cheers and applause, then seamlessly weaving back into the story as the children naturally follow along without needing direct guidance. Audience participation is crucial in children’s theatre, giving kids the chance to express themselves and release their energy.
The cast features a talented ensemble of five. Amy Harris portrays a quirky witch who struggles to remember her spells, inviting the audience to empathize, laugh, and even sing along as they join her on her quest to find a mischievous dragon. Nadia Shash’s frustrated cat, eager to assist the Witch, is absolutely justified in its feelings – there’s simply not enough space on that broom! It’s both entertaining and amusing.
The ensemble shines with exceptional puppetry and impeccable vocals from Joe Lindley and Dan Armstrong, who effortlessly transition between characters and puppets like seasoned children’s theatre professionals. The Dog stands out as a favorite, energetically leaping through the story and capturing the essence of every enthusiastic dog you’ve ever encountered. A particularly amusing moment occurs when he plays fetch with the witch’s hat, showcasing a keen sense of observation and humor.
The set design is quite minimal, featuring just two trees and a backdrop screen. Director Olivia Jacobs has wisely decided to center the attention on the ensemble, and it’s a smart choice. Her approach to the ensemble is so skillful and subtle that it often goes unnoticed.
The beginning and ending scenes featuring a group of campers seemed somewhat unnecessary and felt like they were dragging things out. They didn’t contribute much to the overall story and could be a bit confusing for younger viewers. Jon Fiber and Andy Shaw’s music and lyrics are mostly fantastic and engaging, but at times, they are delivered so quickly that it’s hard to catch the words, especially during the frog segment.
All in all a lovely afternoon of theatre for a family. So say yes, clamber on and tap your broomsticks to catch this wonderful piece on tour. You will not be disappointed, and you will witness a truly magnificent broom!
Runs until Sunday 9th March 2025, before continuing on tour
