Writer: Nell Hardy
Director: Nell Bailey
I, Lord intricately unfolds the compelling narrative of a survivor of spiritual abuse, Evie, and how this affects her fellow churchgoers. Evie calls upon her friends, Priya, a newspaper intern, and Jules, the churchwarden, to seek justice against her abusive father, who leads her former church.
Nell Hardy’s writing skillfully weaves together a tale that draws parallels from mass responses, providing fresh perspectives on the action. The morally complex story delicately balances different viewpoints. The incorporation of chant music adds a poetic layer, enhancing the characters’ journeys throughout the plot. While the narrative is emotionally rich, its continuous intensity over 1 hour and 45 minutes may benefit from an interval or streamlining of less pivotal scenes for a more dynamic experience.
Nell Bailey’s direction excels at bringing out inspiring performances, though the narrative lacks dynamic shaping. The pacing remains consistent, causing moments where the story drags despite its action-packed and intellectually engaging story. The absence of lighter moments in such a heavy topic is noticeable. However, this is compensated with the careful use of stagecraft in how the scenes are organically brought together and aid in transitions.
The ensemble of performers delivers commendable and committed portrayals. Nell Hardy’s portrayal of the troubled Evie showcases a mastery of physical movement, accentuating the character’s trauma and Richard Stirling’s portrayal of Father Benedict is captivating, depicting a twisted father figure with finesse.
Radhika Aggarwal and Lorenzo Bassignani’s skilful sound design effectively distorts typical church sounds, particularly boosting emotional and traumatic moments. However, the set design lacks narrative integration; the cardboard boxes seem disconnected from the core of the story and the overall design feels out of place in The Space, which was once a church.
Overall, I, Lord, sustains an original and intriguing narrative supported by a complex plot and strong performances. Yet, it falls short in refining the other elements necessary to bring out the hard-hitting emotional core of the story.
Runs until 17 February 2024
