Writer: Eleanor Bergstein
Director: Federico Bellone
For almost four decades, Dirty Dancing has lived in the hearts of millions, and this stage adaptation proves that audiences are still eager to see the beloved story brought to life. From the moment the first dance begins, audiences know they are in for the time of their lives.
Written by Eleanor Bergstein, who wrote the original movie script, Dirty Dancing brings audiences to the summer of 1963 where we meet Frances “Baby” Houseman as she and her family arrive at Kellerman’s resort for a wholesome time, completely unaware her life is about to be flipped (literally) upside down by handsome dance instructor Johnny Castle.
The tone of the show is established from the first opening number, a sexy dance routine which is energetic and infectious, a vibe that continues throughout the show. While slightly tamer than the movie, it maintains the romance, emotions and heart that made the original so memorable.
Charlie Varlet is wonderful as Baby, playing her awkwardness and innocence perfectly while still showing her grit and determination to make the world a better place. The other half of the iconic duo, Johnny, played by Joel Benjamin, is an instant audience favourite. His charismatic and talented performance is a hit and the chemistry between both is evident from the outset.
However, it is Ellie Fergusson who stands out in her portrayal of Penny Johnson. Fergusson’s exceptional dancing is a highlight of the production. She glides across the stage with such grace and skill that it’s impossible to take your eyes off her.
Special mention must go to India Chadwick for her hilarious and wonderfully entertaining performance as Baby’s sister, Lisa. Her exaggerated comic gestures drew some of the night’s biggest laughs, adding an extra dose of humour to the romantic scenes.
The supporting cast contributes to the show’s infectious atmosphere, particularly the exceptional vocal talents of Asher Forth as Billy Kostecki and Mimi Rodrigues-Alves as Elizabeth who bring the house down with their musical ability. Classic songs such as Hungry Eyes, Do You Love Me and (I’ve Had) The Time Of My Life had audiences singing and clapping along as though they were right there at Kellerman’s. The entire audience was swept up in joy and nostalgia.
Fans were delighted at how close the stage show was to the movie with numerous patrons whispering lines from the film just before they were spoken on stage. Lines such as Baby’s legendary “I carried a watermelon” and the line everyone was waiting for, “Nobody puts Baby in the corner” received a raucous reaction from the crowd.
As was the reaction to the unforgettable finale. As Baby and Johnny began their final dance, audience members leaned forward in anticipation and when the iconic lift happened, the venue erupted into cheers, before the performers were rewarded with a standing ovation. It was a moment that perfectly captured the magic of live theatre.
If there is one criticism, it is that the stage adaptation occasionally lacks the emotional intensity of the original film. However, its infectious energy and undeniable charm more than compensate.
With its high-energy and uplifting, (pun intended) performances Dirty Dancing shows it still has what it takes 40 years later to keep audiences shaking their maracas!
Runs until 17 October 2026 | Image: Contributed
