Così fan tutte – Leeds Grand Theatre

Composer: Wolfgang Amadeus Mozart

Libretto: Lorenzo da Ponte

Director: Tim Albery

Conductor: Clemens Schuldt

Few names resonate as profoundly as Wolfgang Amadeus Mozart, and his timeless masterpiece Così fan tutte stands as a testament to his enduring legacy. Premiering in Vienna in 1790, this opera was the result of a collaboration between Mozart and librettist Lorenzo da Ponte, the brilliant minds also behind acclaimed works like The Marriage of Figaro and Don Giovanni.

This production by Opera North, director Tim Albery’s rendition of Così fan tutte, first unveiled in 2004, returns with renewed vigour, inviting audiences into a world of intrigue and romance.

The narrative unfolds as we are introduced to the cunning Don Alfonso, a mastermind with a game to play. His mission? To prove that love isn’t as steadfast as it appears. He challenges the men to a bet—one that will put the faithfulness of their relationships to the test. The challenge is accepted and the stage is set for disguises, seduction, and unexpected twists.

However, amidst the elaborate ruse, a truth begins to emerge. While Alfonso’s intent may have been to highlight the supposed flaws of women, it becomes increasingly apparent that the true villains are the very men who partake in his scheme. By the denouement, Ferrando and Guglielmo find themselves grappling with the consequences of their actions.

Under Albery’s direction, this Opera North cast delivers performances brimming with humour and depth. Alexandra Lowe as Fiordiligi, Heather Lowe as Dorabella, Anthony Gregory as Ferrando, and Henry Neill as Guglielmo deliver well matched performances, each bringing to life their respective characters’ emotional arcs. Quirijn de Lang plays a convincingly world-weary and cynical Don Alfonso, while Gillene Butterfield shines as a bolshy and manipulative Despina.

While many productions of this classic lean heavily on comedy, in this production Albery skillfully intertwines moments of emotional depth with comedic flair. This nuanced approach provides ample opportunities for both introspection and lightheartedness, offering audiences insights into the human experience while also highlighting the levity in romantic entanglements.

Tobias Hoheisel’s set transports audiences to the heart of the Age of Reason, where love becomes the ultimate battleground within the confines of a towering mahogany box, the stage serving as a metaphorical “camera obscura”. The dark chamber of it’s interior and refracted light, illuminate the characters’ innermost desires and conflicts.

Clemens Schuldt, in his company debut as conductor, orchestrates with finesse, guiding the orchestra through iconic pieces such as ‘Soave sia il vento’ (O wind gently blowing) and Fiordiligi’s commanding ‘Come scoglio’ (Like a rock)

Another notable aspect of this production is the decision to perform in English, a choice that enhances its accessibility to a broader audience, with the translations seamlessly integrating with the music.

Whether you’re a newcomer to opera or a seasoned enthusiast, Tim Albery’s captivating production of “Così fan tutte” offers a masterful blend of accessibility and artistry.

Runs in Leeds until 23rd February 2024, before touring