Writer and Director: Emma Rice
Blue Beard is a reimagining of an old folk tale presented with an unfolding mystique. In this version, two tales are told in tandem, a jazz-age-inspired Blue Beard and a contemporary story of a sister and her brother.
The folk storytelling, presented to us in pagan dress, sets up the audience to feel like the players have come to town. It feels rare and special, with every song and movement brimming with energy and sound from all across the stage. Emma Rice’s company demonstrates attention to detail in the smallest things. Curtains swoosh and lavish sets and props slide gracefully in a way that transports the audience. Nothing highlights this more than the childlike wonder in the audience’s reaction to a well-executed classic magic trick. It all resonates so well in the company of Etta Murfitt’s ever-shifting movement direction, and Stu Barker’s enchanting compositions. Stephanie Hockley brings a silky musical direction, especially in the multi-part harmonies. Add it all together and the audience is melting into an old book of fairytales.
Blue Beard centres on themes of freedom and danger, curiosity and death. It treats its more difficult thematic elements with sensitivity while never ignoring the discomfort they cause. Though brief, these dark moments get the point across without revelling in displaying trauma on stage. As the two stories unravel, the play instils rage and grief at the evil done to women by men. Yet it does so with a precise touch, thanks to the gentle tale of the contemporary sister and brother played by Mirabelle Gremaud and Adam Mirsky. This, with a subtle touch, communicates hope without echoing a toxic ‘not all men’ trope.
Every member of the cast is strong and has a steely handle on their role in the piece. This is exemplified by Katy Owen’s Mother Superior who as a narrator/compère, practically boils over with energy. The play demands an unsubtle performance from Owen, and yet her Mother Superior always feels truthful. The cast is alive and responsive to the audience, and displays a gorgeous variety of musical stylings through live instrumentation.
There is a clattering reveal late in the play, which is effective in its use of video and commendable for its commitment to its message. Nevertheless, some audiences may desire more subtle craft from creators of this calibre. Despite this, Blue Beard captures the mythical power of folklore to let out a much-needed primal scream.
Runs until 18 May 2024
