Home / Tag Archives: Theatre Royal Plymouth (page 4)

Tag Archives: Theatre Royal Plymouth

The Importance of Being Earnest – Theatre Royal, Plymouth

Director: Alastair Whatley Writer: Oscar Wilde Reviewer: Helen Tope There are few writers who can boast such a reputation as Oscar Wilde. His death in 1900, after a spectacular fall from grace, is a story so compelling it almost eclipses his impressive list of credits – almost. An Ideal Husband, Lady Windermere’s Fan, The Importance of Being Earnest takes top ...

Read More »

Son of a Preacher Man – Theatre Royal, Plymouth

A woman leans over a man bent backwards over a table

Writer: Warner Brown Director & Choreographer: Craig Revel Horwood Reviewer: Bethan Highgate-Betts Like many musicals, Son of a Preacher Man is a story about love. The plot follows Alison (Michelle Long), Kat (Alice Barlow) and Paul (Michael Howe) as they search for answers surrounding their unrequited loves. Although the three characters are from three different generations, the unlikely trio joins forces to ...

Read More »

The War Has Not Yet Started – Southwark Playhouse, London

Writer: Mikhail Durnenkov Translator: Noah Birksted-Breen Director: Gordon Anderson Reviewer: Stephen Bates Russian writer Mikhail Durnenkov’s play is set on the verge of a nervous breakdown. It begins with three characters languishing “in the zone”, helped by drink or immersion in a video game, and then proceeds to demonstrate the hazards away from their domestic cosiness – warfare, human frictions, ...

Read More »

Hairspray – Theatre Royal, Plymouth

Director: Paul Kerryson Book: Mark O’Donnell and Thomas Meehan Music / Lyrics: Marc Shaiman / Scott Wittman and Marc Shaiman Reviewer: Helen Tope Hairspray is a musical that moves to its own beat. Born rebellious, the musical derived from John Waters’ 1988 film, is a tale of inequality, difference and why we should care. In 2018, against a background of ...

Read More »

Hamlet (Glyndebourne) – Theatre Royal, Plymouth

Director: Neil Armfield Composer: Brett Dean Librettist: Matthew Jocelyn Reviewer: Helen Tope Hamlet seems tailor-made for opera. A story of loyalty and revenge, it has all the core components. To amplify Shakespeare’s play into the larger-than-life dynamics needed for opera, nerves of steel are required. Too little, and the opera falls flat. Too much, and you lose the subtlety of ...

Read More »

Private Lives – Theatre Royal, Plymouth

Writer: Noel Coward Director: Michael Cabot Reviewer: Helen Tope It is a story we could finish for ourselves. Two sets of newlyweds meet whilst honeymooning in the French Riviera. Elyot Chase – married to Sibyl – is horrified when he discovers his previous wife, Amanda, and her new husband, rooming next door. Words are exchanged, looks; sparks fly. We think we know how this should end, but ...

Read More »

Elf – The Musical – Theatre Royal, Plymouth

Book: Thomas Meehan and Bob Martin Music / Lyrics: Matthew Sklar / Chad Beguelin Reviewer: Helen Tope Elf – The Musical tells the story of Buddy, a larger-than-life elf working in Santa’s workshop in the North Pole. When Buddy accidentally learns of his true identity, he goes to New York to find his biological father. Not even bothering to change ...

Read More »

Aladdin – Theatre Royal, Plymouth

Choreographer: David Bintley Music: Carl Davis Reviewer: Helen Tope Aladdin, with its magic Genie and flying carpet, may not seem the most obvious choice for a ballet. But in a brand new production, Birmingham Royal Ballet makes a compelling case as to why we should take this pantomime favourite much more seriously. The challenge Birmingham Royal Ballet has is in the reshaping of ...

Read More »