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Tag Archives: Nigel Barber

Funny Girl – King’s Theatre, Glasgow

woman in period costume sitting on sofa natasha barnes funny girl

Book: Isobel Lennart, revised by Harvey Fierstein Music: Jule Styne Lyrics: Bob Merrill Director: Michael Mayer Reviewer: Lauren Humphreys It needs a glittering and glorious central performance to elevate the thin story of early Broadway star Fanny Brice to something spectacular, and that is precisely what Natasha J Barnes delivers in Michael Mayer's stunning revival of Jule Styne and Bob Merrill's classic Funny ...

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Funny Girl – Mayflower Theatre, Southampton

Sheridan Smith as Fanny Brice in Funny Girl

Music, Lyrics & Book: Julie Styne, Bob Merrill & Isobel  Lennart Revised Book: Harvey Fierstein Director: Michael Mayer Reviewer: David Jobson What a history this show has. It was only last year that Funny Girl, starring Sheridan Smith, transferred from the Menier Chocolate Factory to the Savoy. A run that was met with setbacks but received heaps of praise, and gave Smith’s ...

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Funny Girl – Liverpool Empire

Sheridan Smith as Fanny Brice in Funny Girl

Music: Julie Styne Lyrics: Bob Merrill Book: Isobel Lennart Revised Book: Harvey Fierstein Director: Michael Mayer Reviewer: John Roberts Sheridan Smith is a performer who, over the past few years, has had her own demons to quash and battled regularly with press intrusion, so it is no surprise that she brings real weight and gravitas to the role of Fanny ...

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Funny Girl – Milton Keynes Theatre

Sheridan Smith as Fanny Brice in Funny Girl

Music: Jule Styne Lyrics: Bob Merrill Book: Isobel Lennart, revised by Harvey Fierstein Director: Michael Mayer Reviewer: Maggie Constable The hugely talented comedienne and actor, Sheridan Smith, takes on the lead role in Funny Girl at Milton Keynes this week. She has been much awaited after rave reviews in the West End. Very few have taken on this role since Barbra Streisand ...

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A Hard Rain – Above the Stag, London

Writers: Jon Bradfield and Martin Hooper Director: Tricia Thoms Reviewer: Stephen Bates Taking its title from an apocalyptic Bob Dylan song, this new full-length play itself depicts the end of a world – a rotten one of prejudice, deceit and corruption – but unlike Dylan’s song, it also leads to the hope of a new dawn and a better world. ...

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