Writer: Ben Kernow
Director: Millie Brolly
It is fast paced, well-crafted, and at times confusing, but as Ha Hum Ah’s Making A Killing arrives at the Theatre Royal Windsor it invites audiences into the world of Frantz Schmidt, the 16th and 17th century executioner of Nuremberg.
Written by Ben Kernow, also one of two actors each playing multiple roles, Making A Killing is an insight into historic justice. His script juggles 13 characters with Millie Brolly’s direction giving all 13 the time and space to tell their story.
Kernow and fellow actor Stephen Cavanagh jump between different characters; with Kernow as apprentice Clause Kohler, Magisters Hagendorn and Werner, and Annie among others, while Cavanagh plays Schmidt as well as his wife Maria, Bill, Dieter, and the Errand Boy, and others. The two work well together as a pair, as well as individually in cases like when Cavanagh has to pass a pint of ale to himself. They are undoubtedly talented as they turn their hand to the story, even if the rapid changes from one character to another sometimes creates confusion over which character is saying a particular line.
Brolly’s direction aids in the story telling, with a stylistic turn to indicate a change in character. It’s always a challenge to differentiate between characters played by the same actor, especially when the pace of the show demands near-constant stage time with no opportunity to change costume. Brolly keeps her direction clean and deliberate, with every movement carefully crafted to create the world of 16th century Germany.
With a set designed by Marion Harrison, who also designed the costumes, the audience is welcomed into the world. A simple building on one side of the stage and gallows on the other make up the main set, with shop signs hung to transport the audience to Nuremburg. It is simple in its concept, simple in its delivery, and incredibly successful in the effect it creates. Set creator Graham Cole and scenic artist Jasmine Fassenfelt bring Harrison’s vision to life.
For those interested in history, Making A Killing is a must-watch for its exploration of justice, and the paradox of the executioner as a man of science and health.
Runs until Saturday 2 May, then on tour.
