Book: Rupert Holmes
Music: John Kander
Lyrics: Fred Ebb
Original Books & Concept: Peter Stone
Director: Damien Hurley
The Glencullen Dundrum Musical & Dramatic Society has brought a dose of 1959 Boston charm to The Mill Theatre with their vibrant production of Curtains. This comedic whodunnit musical centres on the chaotic backstage world of a struggling show within a show. When the talentless leading lady mysteriously drops dead during her opening night bows, the theatre is locked down, and it’s up to the musical theatre obsessed Lieutenant Cioffi to solve the crime while simultaneously trying to help fix the show’s issues.
From the moment the house lights dim, the production captures the frantic energy of a working theater. The opening sequence, featuring the cast scurrying to move props and set pieces, perfectly sets the tone for the show’s atmosphere. While there were a few minor blocking hiccups where actors had to make awkward adjustments to find their marks, the overall ensemble work was cohesive and full of life. It was clear that the entire company was having the time of their lives, and that joy was infectious.
The production is anchored by two particularly strong performances. Rob O’Connor is fantastic as Lieutenant Cioffi. He perfectly balances the character’s duty as a detective with his genuine, starry eyed love for the stage. Aoife Durkin stands out as Bambi, portraying the grit and determination of a performer hungry for her big break with great vocal and physical presence.
A major highlight of the evening is Nicole McDonald’s choreography. It is a love letter to the genre, leaning into every glorious musical theatre cliché imaginable from synchronized jazz hands to clever movement around set pieces. It’s the kind of high energy staging that makes any theatre fan’s heart swell.
Directorially, the show makes clever use of the space. The physical theater curtains are used effectively, masking scene changes while the audience is distracted by the action out front. One particular number involving clothing rails and torches stood out as a creative peak in the staging.
Topping it all off is the inclusion of a live orchestra. In an age where pre-recorded tracks are common, hearing the score played live adds a layer of professional polish and energy that elevates the entire experience. For an amateur group, the production value is remarkably high. If you’re looking for a night of twists, turns, and top tier entertainment, this trip to Dundrum is well worth it.
Runs Until 28th March 2026.
