War Horse – The Lowry, Salford

Writer: Michael Morporgo

Adaptor: Nick Stafford

Director: Tom Morris & Katie Henry

The stage adaptation of War Horse, based on Michael Morpurgo’s beloved children’s book, is the proud and deserved winner of 25 awards to date and is currently on a much-anticipated revival tour. Directed by Tom Morris, it was clear from the outset that this production has managed to keep the masterful blend of storytelling, puppetry, animation, and music which made it so popular during its premiere at the National Theatre 17 years ago.

War Horse tells the harrowing yet hopeful story of Albert Narracott and his loyal horse, Joey, set against the grim backdrop of the First World War. Through Joey’s eyes, the audience is taken on a deeply emotional journey that captures the brutality of war and the enduring bond between a boy and his horse.

Morris & Henry’s subtle direction alongside Rae Smith’s innovative and evocative set design is deeply effective. The sparse use of props and stage furniture enables the puppetry, animation, and other visual elements to take centre stage. The backdrop of torn paper, used to project scenes and dates, is a brilliant device that guides the audience through the narrative, shifting effortlessly from the tranquil English countryside to the terrifying trenches of the Western Front. The seamless integration of lighting, atmospheric smoke, and sound effects—including heart-stopping explosions and gunshots—further enhances the immersive quality of the production. The final scene, featuring a spectacular tank design by Smith starkly contrasts the old-world cavalry with the mechanised horrors of modern warfare, leaving a lasting impression.

Tom Sturgess’ portrayal of Albert is nothing short of exceptional. His performance is infused with a youthful exuberance that makes his character’s relationship with Joey resonate with tenderness and authenticity. Sturgess’ spirit and dedication are palpable throughout as he navigates Albert’s journey from a naive farm boy to a young man hardened by the realities of war. His believable and heart-wrenching bond with Joey, effectively serves as a powerful emotional anchor throughout the play, highlighting the lengths to which Albert will go to reunite with his beloved horse. The ensemble cast also deliver strong performances, with Jo Castleton as Rose and Gareth Radcliffe as Arthur adding depth to the story. Their portrayals bring out the emotional stakes for Albert and provide a grounded counterpoint to the larger-than-life elements of the production.

It has always been arguable that despite an incredible cast, the puppets are the true stars of War Horse, and the revival tour is no exception, with puppetry, directed by Matthew Forbes and choreographed by Toby Sedwick, they are handled with care and attention by a skilful team of puppeteers, resulting in an enchanting atmosphere. Joey, the life-size horse puppet, is a marvel of design and craftsmanship; a living, breathing entity on stage. Every movement, from a flick of the tail to a powerful gallop, is executed with such precision and detail that the audience quickly forgets they are watching a puppet.

It is undeniable that War Horse has stood the test of time and is an embodiment of live theatre’s ability to move and inspire. With its masterful direction, outstanding performances, innovative set design, and unparalleled puppetry, War Horse remains a poignant reminder of the enduring bonds of love and loyalty in the face of unimaginable adversity.

Runs until 28 September