Book: Douglas Carter Beane
Music and Lyrics: Lewis Flinn
Director: Douglas Carter Beane
Perhaps it’s the truly hysterical moments of breaking the fourth wall, or it could be the deliberate ‘meta’ moments where the show seemingly laughs at its own absurdity, or maybe it’s the momentary pause in the action brought about by actor Peter Caulfield (Jesus Christ Superstar,Aladdin), corpsing at his own line that makes the production so deliciously fun. Whatever the ingredients responsible (probably a combination of all), To Wong Foo The Musical delivers a roaring performance that is nothing short of a triumph.
This bold production breathes new life into the beloved 1995 cult classic, To Wong Foo, Thanks for Everything Julie Newmar. Written and directed by the same creative mind behind the original film- multiple Tony Award nominee Douglas Carter Beane- the audacious tale shines brighter than ever when put to music!
True to form, Carter Beane’s writing is expertly crafted, boasting a plot that’s as funny as it is heartwarming. It seamlessly blends laughter with social commentary, offering both snappy one-liners and poignant moments. The characters are well-rounded, each with their distinct personalities and vulnerabilities. Undoubtedly some will argue that the storyline is too predictable, or the plot too thin, but in today’s uncertain times something about the show’s core messages of friendship and acceptance, even between the most unlikely of allies, resonates deeply.
The story begins in 90s New York, where we are transported into the heart of the city’s most popular drag club and the final of the New York Drag Queen of the Year contest. The set and lighting while simple, nonetheless effectively capture the showbiz atmosphere of a drag night, transporting us into the vibrant and eclectic world of the 90s drag scene.
As joint winners in the New York contest, queens Noxeema Jackson (Gregory Haney), and Vida Boheme (Caulfield) win a trip to Hollywood to compete in the nationwide “Drag Queen of the Year” competition. Vida, ever the bleeding heart, persuades Noxeema to bring along the less experienced Chi-Chi Rodriguez (Pablo Gomez Jones) as their protégé. To fund this endeavour, the pair cash in their plane tickets to buy a classic Cadillac DeVille, and, taking with them their good luck charm, (a iconic autographed photograph of Julie Newmar signed, ‘To Wong Foo, Thanks for Everything!’ – stolen by Vida off a restaurant wall), they set off for LA!
However, when the car inevitably grinds to a halt in the sleepy town of Snydersville in the heart of Middle America, the lives of the queens and the townsfolk intertwine in a joyous, heartfelt, and unabashedly camp musical extravaganza.
With a stellar cast including the talents of Haney (Hamilton, Wicked) and Gomez Jones (Les Miserables), the success of this production undoubtedly lies in the performances. Sarah Leung deserves all the praise for her outstanding work as casting director. The leading cast members brilliantly channel their inner divas, capturing their characters with finesse. Special mention must be given to Haney for his impeccable comedic timing as Noxemma. However, the ensemble cast, portraying the residents of Snydersville, are to be credited for the uproarious group numbers. A particular shout-out goes to Samantha Bingley whose vocals as Rose of Sharon are nothing short of sensational.
As well as some stunning vocals, the production boasts a musical score that is a sublime fusion of club beats, country twang, and musical theatre flair, a combination that keeps the audience dancing and guides us on a rollercoaster of emotions that mirror the characters’ journey. It’s a perfect example of the use of music in storytelling.
The musical numbers are also choreographed to perfection. The movements (or catwalk poses as the case may be!) are sharp, dynamic and meticulously executed, providing some great visuals.
Like its namesake in the three Queen’s trusty signed Julie Newmar picture, there is more to To Wong Foo The Musical than meets the eye. While it may initially seem another Priscillaesque clique ‘drag queen road trip’ bit (and it is), it’s also a testament to the transformative power of theatre and its ability to uplift and inspire- perhaps that’s exactly what we need right now. The theme of the value of acceptance, not just from others but from yourself and the necessity of striking out on your own to achieve your dreams will resonate with many. There are times when a production seems to transcend the stage, raising the roof and lifting its audience with it. To Wong Foo The Musical is one such gem – a true showstopper that demands an encore – not to be missed!
Runs until 17 December 2023
The Reviews Hub Score
Sassy, classy, bold
