Home / Musical / Thoroughly Modern Millie – King’s Theatre, Glasgow
Joanne Clifton as Millie Dillmount in Thoroughly Modern Millie

Thoroughly Modern Millie – King’s Theatre, Glasgow

Book: Richard Morris &Dick Scanlan

New Music: Jeanine Tesori

New Lyrics: Dick Scanlan

Director: Racky Plews

Reviewer: Lauren Humphreys

Based on the 1967 film starring Julie Andrews, which was itself inspired by the 1956 British musical Chrysanthemum, Jeanine Tesoro, Dick Scanlan and Richard Morris’ musical Thoroughly Modern Millie, has always had considerable shortcomings. While some outstanding cast members and a polished set design by Morgan Large elevate the source material in this production, this pastiche written in 2002, remains lacking that certain spark a show needs to be truly entertaining.

It’s 1922 and small-town girl Millie Dillmount comes to big city New York to marry for money rather than love, but events take a sinister turn when she checks into the Hotel Priscilla for single women, not knowing it’s owned by Mrs Meers, the leader of a white slavery ring.

Racky Plews’ current production does little to address the show’s many faults. Instead of skilfully evoking the era, it feels uncomfortably out of step and in 2017, increasingly offensive. While it may be argued that the character of Mrs Meers, a pantomime “Chinese” landlady, is sending up racial stereotypes, the recent yellowface casting controversy in Howard Barker’s play In The Depths of Dead Love, means that any director allowing such a grotesque characterisation, even if it’s played for comedy, as that of Michelle Collins (chopsticks in hair, unintelligible Pidgin English), really needs to be called to account for their choices. There are also some uncomfortably out of date sexual references which would make any feminist’s toes curl and the running time is an issue at a posterior-numbing two hours 45 minutes – some judicious trimming wouldn’t go amiss.

Save for the title tune, the music is utterly unforgettable despite clever borrowings from Gilbert and Sullivan’s Ruddigore and Victor Herbert’s Naughty Marietta, most songs, like the musical itself, are over-long. So it’s down to the cast to save the show. Strictly Come Dancing‘s current champion, Joanne Clifton, is undoubtedly a fine dancer, and in possession of a surprisingly effective voice, but she lacks the acting chops to pull this off completely convincingly. In support, both Katherine Glover as Millie’s naive roommate Dorothy Brown and Graham MacDuff as her boss Trevor Graydon are superb. MacDuff, in particular, gives a masterclass in comic acting. The ensemble is universally first class.

Shining bright above all else in the production is Morgan Large’s Art Deco set (borrowed from a previous production staged at Kilworth House), shimmering silvery grey, it transforms seamlessly between the show’s locations.

This remains a show with a dodgy plot and characters, and a host of largely forgettable tunes, but the beautiful set and the hugely talented, well-drilled cast are enough to make it an amusing distraction for a dull winter’s evening.

Runs until 11 February 2017 | Image: Darren Bell

Book: Richard Morris &Dick Scanlan New Music: Jeanine Tesori New Lyrics: Dick Scanlan Director: Racky Plews Reviewer: Lauren Humphreys Based on the 1967 film starring Julie Andrews, which was itself inspired by the 1956 British musical Chrysanthemum, Jeanine Tesoro, Dick Scanlan and Richard Morris' musical Thoroughly Modern Millie, has always had considerable shortcomings. While some outstanding cast members and a polished set design by Morgan Large elevate the source material in this production, this pastiche written in 2002, remains lacking that certain spark a show needs to be truly entertaining. It's 1922 and small-town girl Millie Dillmount comes to big…

Review Overview

The Reviews Hub Score

Flawed but fun

About The Reviews Hub - Scotland

The Reviews Hub - Scotland
The Scotland team is under the editorship of Lauren Humphreys. The Reviews Hub was set up in 2007. We aim to review all professional types of theatre, whether that be Commercial, Repertory or Fringe as well as Comedy, Music, Gigs etc.

4 comments

  1. Avatar

    I loved the show. Okay the story is pathetic but the performances were outstanding. Joanne Clifton had the audience laughing out loud and received a standing ovation. I cannot concur with your criticism of her acting. On leaving the theatre there was a real buzz and several other members of the audience were praising the performance.

  2. Avatar
    Ronnie Patrick

    Just watched Thoroughly Modern Millie at the Kings Theatre Glasgow.
    I thought it was a fabulous show and was pleasantly surprised by Joanne Clifton who put in a stellar performance as Millie Dillmount a star is born for sure.
    Not only a Fabulous dancer but a lovely voice and great comic timing she really was terrific.
    The whole ensemble were great but particularly Graham MacDuff as Mr Graydon was hilarious
    All in all a great show so entertaining made for a really fine Saturday night out.

  3. Avatar

    Saw the show in Glasgow on Friday and Joanne Clifton was superb as Millie and who knew she could sing like that her rendition of Gimme Gimme was outstanding. A talent we will hopefully see more of Well done a great show.

  4. Avatar

    I thought Joanne’s singing was not up to par for a principal but I suppose it’s the celebrity name that brings in the audiences