Home / Tag Archives: Scott Rylander

Tag Archives: Scott Rylander

Southern Belles – King’s Head Theatre, London

Writer: Tennessee Williams Director: Jamie Armitage Reviewer: David Guest As if sitting in a small pub theatre on a hot summer evening wasn’t enough, the temperature soars in the southern heat and passion of a Tennessee Williams double bill staged as part of the King’s Head Theatre Queer Season. The two one-act plays haven’t been performed together before and one ...

Read More »

Titanic The Musical – Alhambra, Bradford

Book: Peter Stone Music and Lyrics: Maury Yeston Director: Thom Southerland Reviewer: Richard Miller A bare-bones set, an eerie sea-mist and the clever use of chilly moon-blue lighting, conveys a sense of true horror in Titanic The Musical. That the audience already knows the outcome, adds to the feeling of gloomy, but gripping, foreboding. Despite the ominous undertone of tragic ...

Read More »

Some Mothers Do ‘Ave ‘Em – Darlington Hippodrome

Written and Directed by Guy Unsworth Based on the original TV series by Raymond Allen Reviewer: Mark Clegg Despite the strange fact that it doesn’t get repeated very often, the original TV sit-com Some Mothers Do ‘Ave ‘Em remains as iconic as ever. Certainly, Frank Spencer as immortalised by Michael Crawford was probably the most imitated character in the UK ...

Read More »

Titanic The Musical – Theatre Royal, Plymouth

Director: Thom Sutherland Book: Peter Stone Music / Lyrics: Maury Yeston Reviewer: Helen Tope The recipient of five Tony Awards, Titanic the Musical deserves to be better known than it is. Making its debut in 1997, this revival returns to the stage, a leaner production. The focus on telling Titanic’s story becomes more determined. We know how it ends, but the challenge posed is ...

Read More »

Henry V – Beverley Minster

Writer: William Shakespeare Directors: Ben Horslen, John Riseboro Composer: Christopher Peake Musical Director: Rosie Williamson Reviewer: Ron Simpson Antic Disposition’s inspiring production of Henry V does far more than update the Shakespeare play into a Great War setting. That would have been trite in comparison with what Ben Horslen and John Riseboro have achieved, though appropriate enough for the 600th ...

Read More »