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Tag Archives: Jenna Roberts

Birmingham Royal Ballet: Cinderella – Theatre Royal Plymouth

Writer / Composer: Charles Perrault / Sergei Prokofiev Director / Choreographer: David Bintley Reviewer: Helen Tope Cinderella is the fairytale we think we know, perhaps a little too well. In this staging of the ballet, choreographer David Bintley attempts to break away from the overtly-classical staging of recent productions, instead returning the story to its roots. The problem with a ...

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Birmingham Royal Ballet: Cinderella  – The Lowry, Salford

Music: Sergei Prokofiev Choreographer:  David Bintley Conductor: Philip Ellis Reviewer: Jo Beggs Birmingham Royal Ballet are a company unafraid to embrace the traditional. While all around them everyone’s trying to sex-up the classics, BRB know that producing something with no surprises can still be an audience winner. Cinderella certainly sends nobody home dissatisfied, and yet there’s a sense that the ...

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The Tempest – Theatre Royal Plymouth

Choreographer: David Bintley Reviewer: Helen Tope Written against a backdrop of social and political upheaval, Shakespeare’s The Tempest made its debut by Royal appointment. Performed to an audience including King James I, The Tempest is markedly different to Shakespeare’s earlier comedies, certainly when compared to such plays as the exuberant Twelfth Night. First performed in 1611, it moves purposefully through darkness and light. ...

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The Tempest – Birmingham Hippodrome

The Tempest_BRB, Prospero; Iain Mackay, Miranda; Jenna Roberts, Ferdinand; Joseph Caley, Ariel; Mathias Dingman, Trinculo; James Barton, Stephano; Valentin Olovyannikov, Caliban; Tyrone Singleton, Antonio; Domonic Antonucci, Juno; Delia Mathews, Ceres; Celine Gittens, Iris; Yvette Knight, Pan; Tzu_Chao Chou,

Choreographer:David Bintley Reviewer: Laura Jayne Bateman Over 30 years in the making, Birmingham Royal Ballet premieres a new version of Shakespeare’s The Tempest400 years after his death. Choreographed by company director David Bintley and with an entirely original score by Sally Beamish, the production offers visual spectacle and superb dancing within a largely faithful adaptation of Shakespeare’s final play. Alonso, ...

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Romeo and Juliet – Theatre Royal, Plymouth

Choreographer:Kenneth MacMillan Composer:Sergei Prokofiev Conductor:Paul Murphy Reviewer: Karen Bussell   To mark the 400th anniversary of Shakespeare’s death, BRB has compiled a touring programme of adaptations of the Bard’s works delighting Plymouth first with Prokofiev’s Romeo and Julietand then returning in the autumn with both a themed triple bill and David Bintley’s brand new The Tempest. Kenneth MacMillan wrings every ...

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Birmingham Royal Ballet: Romeo and Juliet – Theatre Royal, Nottingham

Birmingham Royal Ballet 's Romeo and Juliet

Music: Sergei Prokofiev Choreographer: Kenneth MacMillan Reviewer: Laura Bateman Romeo and Juliet is one of the most celebrated ballets in the modern repertoire. Choreographed by Kenneth MacMillan for The Royal Ballet, it premiered in 1965 with Rudolph Nureyev and Margot Fonteyn in the title roles. It has since become a staple of both The Royal Ballet’s and Birmingham Royal Ballet’s ...

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Homegrown – Z-Arts, Manchester

Femme by Taciturn Dance &Variations of the Heart by Tmesis Theatre Choreographers: Jennifer Hale, Jenny Rees, Jenna Roberts, Elinor Randle Music: La Femme, Los Zafiros, Meike Holzmann, Egle Mei Reviewer: Jo Beggs Homegrown is a new regular programme of work organised by Dance Manchester and Z-Arts showcasing local dance talent. If tonight’s offering is anything to go by this is ...

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Birmingham Royal Ballet: The Sleeping Beauty – The Lowry, Salford

Artistic Director: David Bintley Music: Pyotr Ilyich Tchaikovsky Choreography: Marius Petipa, Peter Wright Production: Peter Wright Reviewer: Peter Jacobs [rating:4.5] The Sleeping Beauty is a landmark among the surviving greats of classical ballet. Based on the classic and familiar Charles Perrault fairytale with added Russian flavour, it marks the perfect marriage of narrative, choreography and music and stands as the ...

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