Tag Archives: Birmingham Royal Ballet

Choreography: Frederick Ashton Freely adapted and arranged by: John Lanchbery Music: Ferdinand Herold Reviewer: Frances Scott The Birmingham Royal Ballet is transporting audiences to a quaint community based on sunny Suffolk. The French ballet La Fille Mal Gardee(The Wayward Daughter) premiered in 1789 and was reworked by Fredrick Ashton in 1960, whose uniquely British blend has helped capture modern audiences. ...

Choreography: Frederick Ashton Music: Ferdinand Herold (adapted and arranged by John Lanchbery) Reviewer: Helen Tope One of the oldest ballets in the world, La Fille Mal Gardee (The Wayward Daughter), is an 18th-Century wonder, re-imagined to create a timeless tale. Seen here in its Frederick Ashton revival, La Fille tells the story of village girl Lise. Living with her mother, ...

Choreographers: David Bintley and Juanjo Arqués Music: Stephen Montague and Kate Whitley Reviewer: Daljinder Johal Birmingham Royal Ballet’s Fire and Fury consists of two complementary but contrasting dances on power and politics, which intriguingly make us look to the past and future of ballet and much more. The first, The King Dances with choreographer David Bintley, is freely based on Le Ballet ...

Music: Pyotr Ilyich Tchaikovsky Choreography: Marius Petipa, Peter Wright Reviewer: Helen Tope A ballet with an unrivalled pedigree, Sleeping Beauty is the classic everyone knows. The challenge, when taking on this production, is how to stop a classic turning into a cliché. The story of Princess Aurora, put to sleep by a witch’s curse, has plenty of scope for darkness beneath the glamour. ...

Music: Pyotr Ilyich Tchaikovsky Choreographer: Marius Petipa, Lev Ivanov, Peter Wright Company: Birmingham Royal Ballet Reviewer: Tate James Opulence abounds in Birmingham Royal Ballet’s dreamy production of The Sleeping Beauty. This most classic fairytale is more beautiful than ever in Peter Wright’s iconic production, and seems to have lost none of its magic since its premiere in 1984. There isn’t ...

Music: Pyotr Illyich Tchaikovsky Choreographer: Marius Petipa/Peter Wright Reviewer: John Kennedy Shamelessly romantic, this Sleeping Beauty awakens the senses through a seduction of somnambulant stealth. Firmly in the classical repertoire’s treasure-chest marked Opulent Baroque: Excess In All Arenas, tonight’s extravagant costume-drama from the wardrobe of Mount Olympus blushes not a jot at its OTT self-indulgence. Philip Prowse’s design, an opulent neo-classical Renaissance ...

Music:  Pyotr Tchaikovsky Choreographers: Sir Peter Wright, Lev Ivanov and Vincent Redmon Reviewer: John Kennedy Embedded in Birmingham’s ballet advent season for the past 26 years, this captivating explosion of magical movement -  Sir Peter Wright’s production of The Nutcracker - remains an evergreen, deliriously romantic and enchanting delight. It was a truth universally acknowledged, mid-1960s, that an intellectual was one whom could ...

Choreographer: David Bintley Music: Carl Davis Reviewer: Helen Tope Aladdin, with its magic Genie and flying carpet, may not seem the most obvious choice for a ballet. But in a brand new production, Birmingham Royal Ballet makes a compelling case as to why we should take this pantomime favourite much more seriously. The challenge Birmingham Royal Ballet has is in the reshaping of ...