AdultComedyDramaFestive 16/17North WestReview

Scouse of the Rising Sun – Royal Court, Liverpool

Writer: Kevin Fearon
Director: Bob Eaton
Reviewer: John Roberts

Regular lead in the Royal Court’s Christmas show Michael Starke has jumped ship to the Playhouse Theatre to take the lead in new musical hall inspired show The Star and it would appear he is not the only one taking a break from the festivities this year – the critically acclaimed writer of the annual adult offering, Fred Lawless (who has penned the last seven shows), has decided to give himself Christmas off passing the writing mantle onto the theatre’s executive producer, Kevin Fearon.

On the surface it would appear that all the ingredients we have come to expect from the Scouse franchise are there; crazy, madcap characters, an adventure to distant lands with several problems to resolve before they can all go back home, and strong musical numbers…

However, when you start to dig a little deeper, it’s clear that there is one major problem with Scouse of the Rising Sun and that is the script. Fearon’s writing lacks the clever balance of Lawless’ humour and is also missing a clear and concise storyline. Fearon has tenuously shoehorned a superfluous Wizard of Oz storyline into proceedings, which, on top of everything else, looks at North Korea’s new dictatorship and future nuclear crisis, all framed by a massive magic mushroom tea hallucination. This assault on subplot leaves the show with gaping plot holes and a script that regularly misfires under the deluge of knob jokes.

All the above said and done, there are plenty of laughs in the show, but this comes down to the excellent comic delivery and physical performances from the hardworking cast. Lindzi Germain as the loud mouth Clare Crow is on fine form and Michael Ledwich pulls in plenty to smile about as stoner T Inman – he also showcases a rather splendid singing voice too – his Phil Collins inspired opening is hilarious.

Alan Stocks comically hams the hell out of the Scouse dictator Kim Young and Keddy Sutton as the incompetent singer-cum- pilot Carrie Oke delivers throughout. Jake Abraham is sadly laden with the limpest character in the show Tony D’Panda and has to deliver cringe-inducing catchphrases throughout.

Over the past few years the blossoming love story between Russian Boris (a velvet-voiced Michael Fletcher) and scouser Daisy (an engaging and strong Hayley Hampson) have helped the show stick together; here they are left pretty much to the sideline and used merely as a plot device to get characters from one location to another. But they do it with aplomb and provide the show with plenty of showstopping musical numbers.

This year’s show-stealing crown is firmly placed on the head of Andrew Schofield, who pretty much steals the show in every scene – his Sister of Oz character and prisoner character both being real highlights.

Foxton’s set design lacks the wow factor that we have come to expect from previous years and if, one is being truly honest, feels a little cheap – the only saving grace is the delightful Emerald Palace, which shines in all its glory but, by the time it makes it appearance towards the end of Act 2, it’s all a little too late.

Howard Gray musically directs the show with a strong hand and his band of recent LIPA graduates pulls out the stops providing a rich musical backdrop to the show.

Scouse of the Rising Sun must not have been an easy undertaking for director Bob Eaton this year, but with some clever staging and hard work by a cast of creative comedians, they have managed to save the show from disaster. Let’s just hope next year Lawless makes a welcome return with a script that brings the festive favourite back on track.

Runs until 14 January 2017 | Image: Bond Media

Review Overview

The Reviews Hub Score

Funny but Flawed

User Rating: 1.7 ( 11 votes)

The Reviews Hub - North West

The North West team is under the editorship of John Roberts. The Reviews Hub was set up in 2007. Our mission is to provide the most in-depth, nationwide arts coverage online.

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  1. Couldn’t agree more with this commentator’s comments, just returned this afternoon Saturday and picked up on set design immediately, very amateurish and cheap to say the least, you could actually see the guys pushing the sets at one point, not very professional let’s be honest!!!

    On a personal note will never sit on the balcony again, talk about a steep angle, reminds me of Manchester’s MEN arena (never again)

    Oh and Mr Royal Court bar person in charge, if you’re gonna serve beer to people and charge exorbitant prices, then at least offer them a drink does not come out of a £1.50 can of Heineken beer!!! Drinks ordered, one Pinot white wine and a can of lager £9.00 please!!!

    Never again, no wonder the doormen are searching the ladies’ handbags at the entrance, come on LRCT you can do much better than this.

  2. We went to see this show on 29th December and loved it, laughter from start to finish.
    Maybe they had polished the show a little as we went a couple of weeks after the reviewer above, but it was brilliant.
    We didn’t care if the story was a little here and there, the characters were all excellent.
    The sister of oz character was particularly funny, but it was the way all the actors got on so well together that made the show so good.

  3. My friend and I saw the show yesterday and never stopped laughing. Andrew Schofield is a genius

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