Book: Garry Marshall & J.F Lawton
Music and Lyrics: Bryan Adams & Jim Vallance
Writer: J.F Lawton
Director: Jerry Mitchell
A musical bursting with the same lovability as the iconic 1990 film, Pretty Woman tells of the journey to unlikely romance between prostitute, Vivian Ward, and lonely businessman, Edward Lewis. When Edward offers Vivian $3000 dollars to spend the week with him, what starts out as a business transaction becomes something real and meaningful.
The show stays very true to the film’s script, including all the recognisable moments that made it such a box-office hit. The songs fit very well into the story, not feeling forced or out of place among the well-known dialogue. The score creates musical numbers that are highly enjoyable in the moment albeit not particularly memorable afterwards, but I think this can be said for many newer musicals.
In roles originally made famous by Julia Roberts and Richard Gere, Paige Fenlon and Ben Darcy shine as Vivian and Edward. Fenlon definitely manages to capture the charming effervescence of Roberts’ Vivian, whilst also bringing her own witty interpretation. She has an infectious energy that breathes new life into the part. Fenlon grows into the role as the show progresses, but this works as Vivian gains more confidence in who she has the potential to be. A star quality moment comes from her vocally perfect and passionate performance of the song ‘I Can’t Go Back’.
Darcy is the first cover understudy for Edward and he embodies the role so fully that his honest performance surpasses that of Gere’s in the film. Darcy shows more of a change in Edward, from unflinching entrepreneur to compassionate man, and acts with an authenticity that is not often seen in musical theatre. His singing ability matches the quality of his acting and, together, Fenlon and Darcy have great chemistry that has us rooting for Vivian and Edward, despite the odds.
Presenter turned musical theatre star, Ore Oduba, is charismatic in his multi-roling of Happy Man and hotel manager, Mr Thompson. What he sometimes lacks for in strong vocals, he certainly makes up for in his confident demand of the stage and ability to constantly switch between characters. His interactions with Noah Harrison as bellboy, Giulio, are a highlight, particularly their dazzling ballroom sequence in ‘On A Night Like Tonight’. Harrison deserves a special mention as a scene stealer, who immediately captures audience attention with his comedically cute portrayal of Giulio.
Where there is certainly no lack in vocal strength is with Olivier nominated, Natalie Paris, as Vivian’s rebel best friend, Kit De Luca. Paris dominates songs with her powerhouse voice, with incredible riffs that displays her unmatched vocal talent. Complementing all of these principal roles, is the energetic ensemble, who seamlessly aid the progression of the unfolding love story.
The repeated question to the audience of ‘What’s your dream?’, highlights the show’s surprisingly impactful message among its funny moments, as it promotes never giving up on dreams and always valuing self worth. An uplifting night of theatre, Pretty Woman The Musical, is an easy, joyous watch that revitalises the 90s’ favourite rom-com.
Runs until 16 March 2024
The Reviews Hub Score
Pretty Perfect
