Writer: Edward Neale after Strindberg
Director: Edward Neale
Ms. Julie is a new adaptation of August Strindberg’s famous Miss Julie. Performed by The New Rep Theatre, a new repertory theatre company made up of 19 Italia Conti graduates, creating monthly classical theatre productions.
This adaptation, written by Edward Neale, who also directs the piece, jumps forward nearly a century from its original publication date of 1888. Set in 1985 Wales, it focuses on the impact of the miners’ strikes coming to a close for both the working and ruling classes. This is both a clever and interesting reinterpretation of the original Swedish setting, and some satisfying parallels are drawn.
However, there is more depth to be found in the conversation that this production is trying to be a part of. This is particularly the case when there are already several successful adaptations of the original script. It is difficult for modern audiences to connect to the importance of reputation for the original character of Julie when placed in a more modern setting. We need more explanation to really understand how our Julie reaches the point of utter despair by the end of the play.
The performances are strong across the board. Gruff Williams, Lucy Blott and Molly-May Paterson are all embodied and vibrant actors who fill the space with ease. Williams is particularly believable in his role as John, and along with Paterson, they build some beautiful chemistry. There are more layers to be found in Blott’s portrayal of Julie, but she does a solid job in the challenging role.
Direction by Neale is clear and precise, and he brings out tight dialogue from the actors. There is a fun use of 80s music, which is both entertaining and gives the character of Christine a delightful new dimension. There is more nuance to be found in the power dynamics between Julie and John, as the game of ‘cat and mouse’ is not completely realised. There is a strong attempt to create an intense emotional impact in the second act, but this needs further shaping to completely take the audience on the desired journey.
Miss Julie is extremely dense and challenging material for emerging performers and creatives to be delving into. Some areas of this production are successful, and some require further development to really meet the original source material. However, it is an admirable feat for this fledgling company, and the production has some very enjoyable moments.
Runs until 19 July 2025
