Choreographer: Matsena
The biblical tale of the first murder has captivated imaginations across millennia. In this powerful new interpretation, the Matsena brothers (Anthony and Kel) translate this ancient story into a visceral contemporary dance production.
Kane and Abel explores the tragic divergence of two brothers’ intertwined lives after divine favour falls upon one but not the other. When God’s apparent favouritism breeds an uncontrollable jealousy in Kane, the festering resentment ultimately drives him to turn against his brother, culminating in history’s first act of fratricide.
In KABEL, the Matsenas have created a powerfully engaging and resonant interpretation, blending a range of dance styles with spoken word. The fluidity of ballet-inspired movements at the beginning showcases the fraternity between the men, their lives entwined by their relationship and love. Contemporary and hip-hop moves explore the increasing competition between the brothers, while Krump, an explosive dance form featuring staccato movements, brings their fracturing relationship energetically and destructively to life.
Jasmine Araujo’s design, coupled with Ryan Joseph Stafford’s lighting, takes a bare stage and, through minimal props, a narrow colour spectrum (black and red), and the use of light and shadow, creates a landscape that transcends the physical to become a visual metaphor for the internal battles within the brothers.
Beth Lewis’ soundscape, which intertwines melody with industrial and tribal rhythms and a series of ear-piercing sounds, provides a parallel journey that takes the visual and makes it vibrate and resonate deep within the viewer.
Combined, the blend of movement, sound and light creates a powerful and emotionally charged narrative that builds tension to breath-stopping intensity. As the realisation of Kane’s actions hits home, this sensory trifecta fully conveys his despair.
KABEL is an intense but deeply satisfying production that proves dance can tell stories with as much impact as almost any medium. This retelling of one of the oldest stories in the world is not only fresh but also brings an unexpectedly deep emotional engagement. This is contemporary dance delivering storytelling in one of its most powerful forms.
Runs until 7 May 2025
