Book: Heather Hach
Music/Lyrics: Laurence O’Keefe and Nell Benjamin
Director: Nikolai Foster
Twenty-five years after Legally Blonde first hit the big screen, its popularity shows little sign of fading. The film remains a regular streaming favourite, while its musical incarnation is now approaching its 20th anniversary. The story of Elle Woods, the pink-loving sorority girl who follows her ex-boyfriend to Harvard Law School only to discover that she is capable of far more than she ever imagined, remains a joyous celebration of sisterhood, self-discovery and believing in yourself.
In this latest production, Amber Davies takes on the iconic role of Elle, and it is clear from the outset that she has embraced both sides of her character. Elle could easily become a one-note caricature of the stereotypical blonde, but Davies gives her plenty of heart alongside the comedy. She is funny, energetic and thoroughly likeable, making it easy to root for Elle as she discovers that she does not need to change who she is to succeed.
There have been some minor updates to the references throughout the show, which help to keep the production feeling fresh rather than like a musical stuck in the era in which it was first written. The fast pace of the show is also well supported by a simple but effective set design, which allows for fluid scene changes without slowing the action down.
Lighting and costume generally complement the production well, helping to establish the show’s colourful world and emphasise its visual comedy. There is one small visual disconnect during ‘So Much Better’, when Elle sings about being willing to wear black and white, marking a change from her signature pink. Unfortunately, the combination of the lighting and costume makes the outfit she is already wearing appear white, slightly undermining the moment.
The cast is packed with strong performances. Davies makes an excellent Elle, bringing plenty of comedy but, importantly, plenty of heart too. Karen Mavundukure, as Paulette, is absolutely hilarious and her vocals are phenomenal. When she really lets loose there are moments that genuinely give you goosebumps. Jocasta Almgill (Brooke Windham) is another standout, particularly during ‘Whipped into Shape’. Her performance is incredibly impressive, not least because she manages to deliver demanding vocals while skipping. Quite how she maintains those notes while simultaneously keeping up the choreography is something of a mystery.
Ultimately, Legally Blonde remains popular for good reason. Beneath the pink, glitter and big musical numbers is a story about finding confidence, supporting the people around you and refusing to let someone else’s expectations define you. This production captures that spirit while keeping the show feeling fresh, funny and full of energy; proving that, 25 years on, there’s still plenty to love about Elle Woods. Omigod, you guys, she really is still having a moment.
Runs Until: 26 September 2026
