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Kiss The Shotgun Goodnight Production PhotosPhoto Credit: Richard Davenport for The Other Richardinfo@theotherrichard.com

Kissing the Shotgun Goodnight – Ovalhouse, London

Writer and Performer: Christopher Brett Bailey
Dramaturg: Anne Rieger
Reviewer: Stephen Bates

Christopher Brett Bailey is one of those theatre-makers who does not make things easy for hisaudiences. His show This is How We Die, which toured the UK a couple of yearsback, pummelled us with weirdideas and anecdotes delivered at breakneck speed and ended with a loud performance by a rock band. Here, how we die again features highly, but the music takes on the prominent rolein what could be described as a rock symphony in five movements, the fourth of which is spoken.

tell-us-block_edited“This is a Hell dream” we hearrepeatedlyas the show begins in near darkness. If so, it is a dream to wake the neighbours.Think AC/DC or Metallica and then treble the volume. We are told that the decibel level reaches the equivalent of an aeroplane taking off and, mercifully, ear plugs are provided if needed. Alicia Jane Turner and George Percy are the composer-musicians alongwith Brett Bailey.

With lighting designed by Lee Curran, the team creates the theatrical equivalent of an abstract painting.asking each individual audience member to make of it what they will, putting a shotgun to our heads and urging us to pull the trigger. The coordination of sound and lighting is highly complex and it has to be said, in fairness to all, that the performance being reviewed suffered from a major technical glitch, resulting in a lengthy unplanned interval. As the creators’ intent is to project a continuous flow ofaural and visual images, building cumulatively, the break was unfortunate.

The spoken section begins in total darkness with the disembodied voice of Brett Bailey reciting a magnificently morbid poem that gives further context to the music. We are seated in crouch position on a plane seconds before it crashes, welie helpless in a hospital bed connected to a network of tubes and we are tormented by a parasite growing inside us. “A suicide note is tattooed on your throat” the echoing voice warns.

A Hell dream indeed and, after 70 minutes or so of being face-to-face with our own mortality, wewake to reflect onthe horrors of the real world.

Runs until 11 October 2016| Image:The Other Richard

 

Writer and Performer: Christopher Brett Bailey Dramaturg: Anne Rieger Reviewer: Stephen Bates Christopher Brett Bailey is one of those theatre-makers who does not make things easy for hisaudiences. His show This is How We Die, which toured the UK a couple of yearsback, pummelled us with weirdideas and anecdotes delivered at breakneck speed and ended with a loud performance by a rock band. Here, how we die again features highly, but the music takes on the prominent rolein what could be described as a rock symphony in five movements, the fourth of which is spoken. "This is a Hell dream"…

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Magnificently morbid

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