Writer: Tom Manning
Director: Aisling Gallagher
Invisible Animal, unveils the complex reality of Autism in modern society.
Invisible Animal, as hinted by its title, masterfully delves into the art of concealing autism and the internal struggle it invokes when navigating a world that defines ‘normal’ by its own terms. This thought-provoking theme is introduced right from the start, with a direct address that divides the audience into two sections; neurodivergent and neurotypical. The charismatic protagonist, Tom, immediately prompts the audience to think about the different meanings this play will have for each audience member.
Tom Manning’s performance is both charming and comical, a highlight being when he engages some audience members to participate in the storytelling. One particularly touching moment happens when one of these participants begins to sign as they speak, a testament to the power of creating inclusive performances and narratives.
The central exploration of what it feels like to be autistic for Tom occurs through his use of films as a medium to comprehend how to ‘act’ in society. Intriguing parallels are drawn between theatre/film and Autism, where the need to be another person, makes the experience more universally relatable. The clever use of multimedia, including film clips for humour and thematic resonance, peaks as Tom echoes the iconic line, “You can’t handle the truth” from A Few Good Men.
Throughout the protagonist’s journey, his ‘authentic autistic self’ intermittently appears on screen, serving as a voice of reason in Tom’s struggle with his identity and challenging the way he perceives his own ‘monster.’
Rachel Sampley’s lighting is commendable in skillfully guiding the audience through the emotional journey of the protagonist. It also breathes life into Emma Wee’s set design which in turn creates an inviting and informal space where we can piece together what Tom clings onto and why.
At times the play feels repetitive, however, this can be interpreted as a choice that mirrors Tom’s ongoing journey and the recurring obstacles that fuel his frustration. However, there are moments when the play’s wider plot points from Tom’s life fail to seamlessly integrate into the story. This disconnect stems from the personal space within Tom’s mind where most of the action unfolds. These real-life events and situations aren’t fully connected with Tom’s journey of self-acceptance nor fully developed.
The poignant question, “Can you see me?” initially left open at the play’s beginning, comes full circle towards the end. Tom challenges the audience to reflect on whether the past hour has transformed their perception of Autism and the visibility of Autistic individuals as they step outside the theatre.
Runs until 4 November 2023
The Reviews Hub Score
Brave and layered
