DramaLondonReview

I Know I Know I Know – Southwark Playhouse, London

Reviewer: David Guest

Writer: Flora Wilson Brown

Director: Harry Tennison

A tough and gripping exploration of relationships, abuse, secrets and lies provides a tough 75 minutes of new drama at Southwark Playhouse. Flora Wilson Brown’s play I Know I Know I Know features three characters in an intimate space telling different stories in an unexpected and creative way, with the truth slowly and shockingly unravelling.

The title may get some thinking about the lockdown viral hit Back Up by DeJ Loaf and Big Sean, whose catchy chorus had TikTok fans going crazy, or even Tegan and Sara’s early noughties single. But the influence for this piece about the abuse of young fans by musicians is the Shania Twain song You’re Still the One: Twain and Robert John “Mutt” Lange wrote the song while in a relationship that caused controversy because of the age difference between them.

But what happens when a song is being played endlessly all around you (in this case a new version of the Shania Twain hit by the very musician that caused your trauma) and it brings back nothing but unpleasant and frightening memories?

The way Flora Wilson Brown tackles such a thorny issue is remarkable and clever. The young girl recording her story seems for all the world like a celebrity stalker, while the story about the friends driving to a wedding looks as though it is going to unfold along the lines of the female driver confronting the fact that the bride-to-be is her ex. But as lines and memories overlap and as the man in the car keeps receiving mobile phone messages that leave him increasingly uncomfortable the chilling reality oozes through to unsettling exposure.

Hannah Khalique-Brown as Alice brilliantly treads a fine line, coming across initially as a crazed schoolgirl follower of a successful band but bit by bit letting us in to the truth. Her anxious memories are in fact her recounting her story for an article being produced, allowing her #MeToo empowerment and the opportunity to look to the future, however difficult.

Ethan Moorhouse is in top form as Max, the world-famous musician tormented more by the thought of being found out than by any sense of wrongdoing. And Martha Watson Allpress as Hannah shifts superbly from the star’s best friend sharing laughs and gentle banter to the person betrayed when the truth is revealed.

Director Harry Tennison ably manages to hold together the different strands, so seamlessly and subtly unlocking the whole story that we barely notice the encroaching darkness (also picked up in Ryan Day’s lighting). Victoria Maytom’s multi-purpose set serves for the variety of scenes, cosily disguising the uncomfortable anguish behind the story.

I Know I Know I Know is the inaugural production for new company DONOTALIGHT and paves the way for future success. It was due to be staged during this year’s VAULT Festival, which was cancelled, so it’s a genuine joy that Southwark Playhouse was able to offer a venue for such an important and challenging new work.

There is an undeniable strong message of being strong and keeping going in the aftermath of issues which are all too real for so many, yet there is also the horrible recognition that while victims and friends will always be haunted by what has happened the perpetrators may not even be censored unless the vulnerable are willing to be brave and speak out.

Runs until 16 April 2022

The Reviews Hub Score

Unsettling yet empowering

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The Reviews Hub - London

The Reviews Hub London is under the editorship of Richard Maguire. The Reviews Hub was set up in 2007. Our mission is to provide the most in-depth, nationwide arts coverage online.

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