Touring in 18 countries, and selling over a quarter of a million tickets worldwide, Fastlove, starring Joseph Sansome, stakes a claim as the world’s favourite George Michael celebration. A celebration of one of the most iconic pop stars of his generation, and one whose music is as relevant today as it ever was. Early on in the show, Sansome tells the audience that he’s not trying to be George – there’s only one George – but he comes pretty close.
Vocally he’s excellent and, at times, the difference is inconceivable. During the more energetic numbers his physicality is a little more rigid than it could be, but in the slower songs, he excels. His Careless Whisper is particularly good. Throughout the show, we’re offered a plethora of Georges in various eras with Ray-Bans, leather jackets, wigs, jackets, handcuffs and Levi’s all making an appearance: the only notable absence being neon fingerless gloves.
As far as the songbook is concerned, there is little left uncovered, from Wham! through to his solo career. Firm favourites such as Faith, Freedom, Club Tropicana, Wake Me Up, and I Can’t Make You Love Me all feature. They also include some of his best duets and collaborations, accompanied by his backing vocalists Carol Riley and Amy Rhiannon Crowther (who also doubles up as Musical Director) including I Knew You Were Waiting, Don’t Let The Sun Go Down On Me, and Somebody to Love.
Sansome is accompanied by Ludovit Juhasz on keys, Dayle Thompson on bass, Adam Williss on guitar, Sebastian Kedziora on drums, and Jarlath Mulholland on sax and flute, and together they make for an excellent ensemble. One aspect which makes it a celebration rather than a tribute is that it doesn’t take itself too seriously. Sansome makes the most of his somewhat awkward dance moves to great effect with various audio-visuals, and his interactions with the audience normally end with him breaking out of character.
In an auditorium full of George Michael fans singing and dancing throughout, it’s infectious fun and thoroughly entertaining. For those who aren’t as familiar, it’s no different. His music is timeless and this is a fitting celebration of his work and the closest you can get to the real thing.
Reviewed on 20 June 2023 and continues to tour