Writer &Director: Janine Waters
Music &Lyrics: Simon Waters
Review by Brian Gorman
Janine Waters’ epic musical fantasy has something for everyone, telling the colourful tale of Edwardian teen-ager Cassie (a perky Paislie Reid) who falls into a coma which magically transports her to the far flung future where all artistic pursuits are banned.
Here she finds herself aboard a ship occupied by a motley crew of actor-musicians seemingly doomed to certain death by starvation at sea, while regularly fending off attacks from airborne alien ‘spiders’. Onboard to ensure they do not escape is the bullying Stefano (Everal Walsh) who bears a striking resemblance to Cassie’s real-life father (deliberate shades of Peter Pan here).
The unexpected arrival of the irrepressible and eternally optimistic Cassie brings hope to the outlaws, and from here on in the audience gets everything but the kitchen sink in a no-holds- barred, barnstorming, high-octane show that works hard to deliver on every conceivable level. If you can imagine a Doctor Who Christmas Special combined with Alice In Wonderland, then you’ll have a good idea of what was on offer here.
Located behind Chorlton Methodist Church, The Edge has a 70 seater auditorium on the top floor of the building in a superbly atmospheric room with a high curved roof. The space is used intelligently by designer Kevin Freeman, whose marvellous set seems to be a natural extension of the room itself. Comprising inventive use of bare scaffolding and planks, augmented by multi-coloured sheets, the set doubles up perfectly as Cassie’s home and the outlaws’ ship.
The outlaw actors are a marvellous creation, and every theatrical cliché is milked for all it’s worth in Janine Waters’ devilishly clever script. Threatening to steal every scene is the bitchy, camp ‘leading man’ Fausto (a fabulously over-the-top, yet often affecting, performance by Jos Vantyler). Jenny Platt is simply wonderful as Eliana, Fausto’s ill-tempered ex lover; forever ready, willing, and more than able to scratch his eyes out at a moment’s notice (Platt’s comic timing was pitch perfect). These two squabbling Prima Donnas are perfectly complimented by Craig Whittaker’s more restrained Claudio, who provides much of the pathos amid the hectic silliness onboard ship.
Composer Simon Waters supplies some cracking compositions ranging from full-blown ensemble camp to downbeat heart-breaking solos. Live music from multi-instrumentalist Samuel Rowe (doubling up as sound operator) adds enormously to the outrageously energetic musical performances. There are some lovely, witty, tongue-in-cheek lyrics which the entire cast deliver with obvious relish; the finale especially delightful. The production is possibly a touch overlong (a scene involving Claudio revealing his true feelings to Eliana threatens to outstays its welcome somewhat), but this is a minor quibble when presented with such an embarrassment of riches.
Dreaming Under A Different Moon is a spell-binding celebration of live theatre, and has set the bar incredibly high for future productions at The Edge. The audience cheered and whooped during the curtain call, and the tremendously hard-working cast deserved every second of it.
Runs until Saturday 22nd December.