Drag

Writer: BenDeLaCreme Director: BenDeLaCreme Reviewer: Adrienne Sowers After a wildly successful run of the show during the summer of 2016, BenDeLaCreme returns to the Laurie Beechman Theatre with BenDeLaCreme’s Inferno A-Go-Go!. DeLa (as her fans call her) brings her trademark spark and wit to the stage, and even more confidence and polish as a seasoned performer. A fan favorite on ...

Reviewer: Scott Matthewman Drag culture is in flux at the moment. For decades, occasional nights hosting karaoke in gay bars have been the best most acts could hope for: in recent years, though, the ascendancy of TV reality show RuPaul’s Drag Race from cult hit to mainstream phenomenon has seen an influx of American-style drag performance alongside more traditional, British ...

Writer: Chelsea Piers Director: Darius Rose Reviewer: Adrienne Sowers Chelsea Piers is the showtune belting, punk rock drag goddess of Hell’s Kitchen, so why hasn’t she been on RuPaul's Drag Race yet? At the Laurie Beechman Theatre, with musical direction by Brandon James Gwinn, Chelsea strives to answer the question, when will she get her chance at international stardom? Taking the ...

Reviewer: Adrienne Sowers Benefiting various women’s shelters throughout New York, the one-night engagement of The Miss Ogynistic Beauty Pageant sets typical beauty pageant tropes on their heads. With men as contestants, the pageant creates clever send-ups of patriarchal constructs outside of the pageant world using the beauty competition format as framework. Featuring one former Miss America (Kirsten Haglund), two former ...

Choreographer: Antonio Ramos Reviewer: Jamie Rosler If your friends generally describe you as humorless or sexually repressed, this show probably isn't for you. On the other hand, maybe you're the ones who need it the most. Almodóvar Dystopia, from Antonio Ramos and the Gang bangers, is an absurd mixed-media dance piece filled with joy, chocolate, nudity, wigs, and references to Pedro ...

Writer: Paul Alexander Choreographer: Antyon LeMonte Reviewer: Adrienne Sowers Trinkets, at 24 Bond Arts Center in the Gene Frankel Theater, has a promising enough premise. Billed as telling “the story of a group of drag and transsexual prostitutes” in the pre-gentrified Meatpacking district of the 1990s, the musical is a semi-moralistic tale with an after-school-special structure. Though the run time ...

Writers: Cole Escola, Ziwe Fumudoh, Sudi Green, Matt Rogers, Peter Smith Reviewer: Carrie Lee O’Dell Part of the New Ohio Theatre’s ICE Factory Festival, Fridays On ICE is a late night salon series featuring work “more typically... perform[ed] in nightclubs, bars, and private apartments” than in traditional theatrical venues. Each night of the series is hosted by a different artist ...

Writer & Performer:  Rhys Slade-Jones Reviewer:  Becca Savory Fuller The Land of My Fathers… is presented as a work-in-progress production at Exeter’s newest performance space, The Bike Shed Theatre’s pop-up summer venue, The Boat Shed.  So, how to review a piece that’s so clearly in an early stage of development?  Lead-artist Rhys Slade-Jones forgets what’s coming next, trips over his ...