Author: The Reviews Hub - London

Choreographers: Raúl Reínoso, Norge Cedeño, Thias Suárez, Pontus Lidberg, Maria Rovira, Alexis Fernández and Yaday Ponce Artistic Director: Carlos Acosta An evening with Acosta Danza is always the highlight of any season and their latest show 100% Cuban doesn’t disappoint. Delayed by the pandemic and finally arriving at Sadler’s Wells with some new pieces created in the last year, this showcase for choreographers and dancers offers five distinct but beautifully presented expressions of Cuban culture and rhythms. Surprising the audience is the UK premiere of Norge Cedeño and Thias Suárez’s Hybrid, which tells the story of a group of people…

Writer: Heather Alexander Director: Dominique Gerrard  ‘A woman must have money and a room of her own, if she is to write fiction.’ So starts Virginia Woolf’s 1928 lecture to Girton College investigating why women have been so absent in creating fiction. What may, at first, seem like a throw-away and glib remark, ‘money and a room of her own’, have been impossibilities for women throughout history. Woolf shows how women’s position throughout history has directly influenced their absence in creating works of fiction. She reminds us that wife-beating was not only tolerated but encouraged; that women married the man…

 Book, Music, Lyrics: Willy Russell Director: Bob Tomson and Bill Kenwright A classic becomes a classic independent of its stars, its tunes or its fancy set designs. It’s the relationship between an audience and the spirit of the thing that counts. If it can bang its drum for different demographics and generations, and have them properly connect with its rhythm, then you may just have a piece of art with longevity on your hands. So, Blood Brothers returns to London bringing its story of class division and questions of fate v circumstance. Playing and touring since 1983, it has reached…

Writers: Sarah-Louise Young and Russell Lucas Director: Russell Lucas Of all British singer-songwriters, Kate Bush is the most eclectic, the most unique, and possibly the most beloved. The performer who made her name at the age of 19 with Wuthering Heights has produced some of the most recognisable and memorable songs and performances, all of which are lovingly captured and reimagined by Sarah-Louise Young in this hour-long tribute act. The famously reclusive “Ivy Queen” is, as the show’s title suggests, not in attendance downstairs at the Soho Theatre. At least, not in person; in spirit, she is very much in…

Writer: Jonathan Walfisz Director: Molly Marsh Sometimes when young companies ask for their new shows to be reviewed early on in their short runs, what they could really benefit from instead are notes taken by someone sitting in the back row. In the case of Road To Nowhere, about a road trip to France, most of the problems could be resolved quite quickly. The stage at the Bread and Roses is tiny, especially when it’s positioned at one end of the narrow room. Having all five (and then six) actors on stage running around filming a Zombie movie only results…

Writer: Emma Zadow Director: Anoushka Bonwick Seven Years. That’s how long it’s been since Alice returned home. But her sister Lo’s decline in mental health draws Alice back to Norfolk, but not all are happy with the arrival. Lo, and her family friend Charlie, struggles to re-adjust to Alice’s return – both out of hurt, one the familial, one romantic. Emma Zadow’s Fridge infuses a sense of magical figurative realism with a traditional means of storytelling and spoken word. Fridge is a digital piece that tackles the fundamental difficulties of a broken family, attempting to rekindle the connections and forge a way forward…

Writer: Emma Rice, based on the novel by Emily Brontë Director: Emma Rice You don’t have to read the programme notes of Wise Children’s adaptation of Emily Brontë’s only novel Wuthering Heights to realise that writer/director Emma Rice loves the book. Her affection and devotion for the piece shines from every moment on stage. Whether it works as well for those who have not yet fallen for Brontë’s work as she has is another matter entirely. Rice sticks to the original novel’s narrative line, which starts near the end of the tale’s chronology. As the new tenant Lockwood (Sam Archer)…

 Writer: David Persiva Director: David Frias-Robles  Emotions run high through the first few minutes and the last half hour of the relationship shown here in David Persiva’s snappy debut play. In a little over an hour we’re given a broad sweep of their three year coupling, voyeuristically spying on them at their most vulnerable shared moments, and horribly recognising snips of conversations we’ve all had either in the first flush of love or as it comes to a close. The unnamed Man (played by Persiva) and Woman (Naoimh Morgan) are not meant to be everyone. But their energy and awkwardness…