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Brighton Bites: Mating in Captivity

After an amazing response last year we have once again resurrected our Brighton Bites mini-interviews. These short and snappy Q&As offer an, occasionally witty – often hilarious, insight into the acts strutting, sailing, surfing (insert preferred form of transport here) in to join the line-up of England’s largest arts festival, Brighton Fringe. 2018 was a record-breaking year for the Fringe ...

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Brighton Bites: Dragprov

After an amazing response last year we have once again resurrected our Brighton Bites mini-interviews. These short and snappy Q&As offer an, occasionally witty – often hilarious, insight into the acts strutting, sailing, surfing (insert preferred form of transport here) in to join the line-up of England’s largest arts festival, Brighton Fringe. 2018 was a record-breaking year for the Fringe ...

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Brighton Bites: Witch Hunt

After an amazing response last year we have once again resurrected our Brighton Bites mini-interviews. These short and snappy Q&As offer an, occasionally witty – often hilarious, insight into the acts strutting, sailing, surfing (insert preferred form of transport here) in to join the line-up of England’s largest arts festival, Brighton Fringe. 2018 was a record-breaking year for the Fringe ...

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Be my Baby – Leeds Playhouse, Pop-Up Theatre

Writer: Amanda Whittington Director: Jacqui Honess-Martin Musical Director: Richard Reeday Movement Director: Jenni Jackson Reviewer: Janet Jepson In the 1950s and 60s, everyone knew a local girl who had ‘gone to stay with her auntie for a couple of months’. She would always return, with no sign of roses in her cheeks from fresh country air, but looking a bit ...

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Cirque Berserk – Theatre Royal, Plymouth

Reviewer: Kelyn Luther Cirque Berserk is as its title suggests - a raucous circus with a carnival atmosphere. This carnival quality is unsurprising when you consider the diverse nationalities of the acts, including performers from Brazil, Cuba, Mongolia, France, and that’s only a few. Cirque Berserk are clearly, and rightly, proud of the range of cultures that make each act ...

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Cat On A Hot Tin Roof – Studio at Festival Theatre, Edinburgh

Writer: Tennessee Williams Director: Mike Paton Reviewer: Edie Ranvier Tennessee Williams’ story of mendacity, passion and repression in the American South has been seeing its popularity renewed of late, notably with last year’s Young Vic production starring Sienna Miller and Jack O’Connell. This year, Edinburgh theatre company Leitheatre give their own take on the play – and, for this reviewer’s ...

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BRIGHTON FESTIVAL: Backbone – Brighton Dome

Creators: Gravity and Other Myths Reviewer: Simon Topping Award-winning, internationally renowned, Australian circus company, Gravity and Other Myths (GOM) enter the stage looking like a very cool advert for GAP (other clothing manufacturers are available). Since their inception in 2009, Adelaide’s ten-strong performance group have rocketed to acclaim with a series of disarmingly accomplished ensemble works. Their work, Backbone, tests ...

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Richard III – Royal and Derngate, Northampton

Writer: William Shakespeare Director: John Haidar Reviewer: James Garrington All too often productions which label themselves “innovative” and “revelatory” turn out to be anything but that – simply a recycling of old ideas with a relatively minor tweak here and there. While, as they say, there’s nothing new in theatre, this production of Richard III by Headlong could certainly never be ...

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