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Dial M for Murder – King’s Theatre, Edinburgh

Writer: Frederick Knott Director: Lucy Bailey Reviewer: Val Baskott First aired as a TV play in 1952 then a West End hit and Broadway success, it is Hitchock’s film version of Frank Knott’s Dial M for Murder that is best remembered. The play itself is a carefully crafted model of the ‘how-and-why-dunnit’ thriller brought to life again in director Lucy ...

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Elegies for Angels, Punks and Raging Queens – The White Bear, Kennington

Music: Janet Hood Lyrics: Bill Russell Director: Marc Kelly Reviewer: Joanna Trainor Angels, Punks and Raging Queens are partying before the audience even arrive at the White Bear in Kennington. Disco balls, fairy lights, illuminated beer signs, stage show posters, beanbags, and a well-placed table to dramatically dance on, set the scene for a celebration of these characters’ lives, but ...

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Still I See My Baby & Happiness – Theatre503, London

Writers: D B Horrigan and Danny Whitehead Director:Hannah Kaye/D B Horrigan Reviewer: Nichola Daunton Still I See My Baby and Happiness make up a double-bill at Theatre503 this week, coming from new theatre company Sky or the Bird who pride themselves on putting emerging writers front and centre. The evening begins with Still I See My Baby, a sinister slice ...

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Before the Night is Through – Landor Theatre, London

Book &Lyrics: Olivia Thompson Music: Chris Whitehead Director: Robert McWhir Reviewer: Stephen Bates If Agatha Christie and Ivor Novello had ever joined forces and then drawn inspiration fromCape Fear, the result could have been something like this show. Presented as part of theLandor’s From Page to Stage season, showcasing new musical theatre, it is a rollickingspoof of the whodunnit genre, ...

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Foxglove – The Vaults, London

Writer: Josh Morrall Director: Josh Morrall Reviewer: Chris Combemale A lone man enters and places a wooden stool centre stage. While a lonely stool set on a bare stage might have prepared the audience for a revolutionary piece of experimental theatre, such false perceptions are soon shattered. Yet this was by no means a disappointment as Squared Circle’s first production ...

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Swan Lake – Theatre Royal, Norwich

Music: Tchaikovsky Choreography: Marius Petipa, Lev Ivanov, Sergi Bobrov Reviewer: Lu Greer Swan Lake is seen by many to be the quintessential ballet as it brings a combination of classic costumes, well known music, and classic dance. As the Russian State Ballet of Siberia is known for keeping their productions very traditional, there was a chance that this performance would ...

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Hurlyburly – Chain Theatre, Long Island City, New York

Writer: David Rabe Director: Rich Ferraioli Reviewer: Claudia Borruso Everything about this production is ambitious. Firstly, Hurlyburly has a running time of over 3 hours and all the real action takes place off-stage. In addition to this, Rabe’s magnificent writing is dense and difficult; it is fast-paced, seemingly superficial and beautifully philosophical and takes very finely tuned skill to present ...

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Symphony – The Vaults, London

Writers: Tom Wells, Ella Hickson, Nick Payne Director: Joe Murphy Reviewer: Ian Foster Originally commissioned in 2012 when it played festivals like Latitude, nabokov’s Symphony is a great fit for the ethos of the Vault Festival taking place underneath Waterloo and this sparky revival proves to be one of the highlights of the programme so far. Three short plays by ...

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