Home / Drama / The Scary Bikers – Theatre Royal, Wakefield

The Scary Bikers – Theatre Royal, Wakefield

Writer/Director: John Godber

Co-Director: Neil Sissons

Designer: Foxton

Reviewer: Ron Simpson

Initially, John Godber made his name with ensemble plays, often based around an activity, rugby league or night-clubbing or school or whatever, with an expertly managed switching of role rather than character development, but some of his best work has been in rather more restrained two-handers. As he has grown older, these seem to have become more reflective and are particularly piquant when played with humanity and unforced naturalness by Godber and his wife and long-time theatrical partner, Jane Thornton.

The Scary Bikers falls into that category. It’s not really the best title, suggesting something rather more farcical and over-the-top than we get. Godber, as usual, starts with a simple idea: two very different people, widowed and on the wrong end of middle age, decide to go on a bike trek to Florence (doing chunks of the journey by train), with conscious irony departing to Europe on the day when the UK votes to depart from Europe. 

There is thus a fair bit of nifty synchronised pedalling on the tandem that dominates the pleasing cafe/shop set and a number of the sort of disasters one expects: getting lost near Ghent (farcical fun with a tent), a midnight dash to hospital in Pisa when Carol shows symptoms of a heart attack. However, these are part of a larger package.

The play begins in the biking cafe/shop which Carol runs in memory of her late husband, with Don sweeping and keeping an eye on things. Swapping the narrative between them, they tell the story of the epic ride to Florence over a year previously, but more especially the story of their bereavement. The first stage of the play considers loss and loneliness – and moves on to the need for companionship. Don and Carol from different backgrounds twice meet accidentally before a shared love of cycling brings about the great adventure.

The Scary Bikers was commissioned by Art 50 which invited responses to the triggering of Article 50 to leave the European Union. Godber clearly finds it surprising that such huge numbers voted for Brexit in many areas of Yorkshire, including Wakefield. He tries for an answer in a scene near Pisa where Don and Carol, whose disagreement about this has been simmering, and have their out-and-out political/personal confrontation.  Don, the Brexiteer, advances two reasons: the clowns in office have been ignoring the wishes and needs of working people for too long, so are not to be believed – a view not without substance – and the NHS will receive £350 million extra a week  – a totally misguided view based on a lie, as Don monosyllabically concedes later in the play.

John Godber and Jane Thornton are effortlessly (apparently) convincing as Don, the ex-miner turned hospital porter, and Carol, the teacher/failed artist who is financially secure thanks to the successful career of her husband, a junior schoolmate of Don. It’s the timing of the lines, the easy interplay and the lack of unnecessary emphasis that show their degree of empathy.

Touring nationwide | Image: Contributed

Writer/Director: John Godber Co-Director: Neil Sissons Designer: Foxton Reviewer: Ron Simpson Initially, John Godber made his name with ensemble plays, often based around an activity, rugby league or night-clubbing or school or whatever, with an expertly managed switching of role rather than character development, but some of his best work has been in rather more restrained two-handers. As he has grown older, these seem to have become more reflective and are particularly piquant when played with humanity and unforced naturalness by Godber and his wife and long-time theatrical partner, Jane Thornton. The Scary Bikers falls into that category. It’s not…

Review Overview

The Reviews Hub Score

Unforced naturalness

About The Reviews Hub - Yorkshire & North East

The Reviews Hub - Yorkshire & North East
The Yorkshire & North East team is under the editorship of Holly Spanner. The Reviews Hub was set up in 2007. Our mission is to provide the most in-depth, nationwide arts coverage online.

One comment

  1. Sorry but this play was awful. Seen on tour at The New Vic Theatre Newcastle last night . I hate writing that because its always important to acknowledge the work that actors and actresses put in to learn and perfect their craft . But this play was dreadful. (Not a reflection on the people taking part) . The story was boring , the jokes repetative and over used ….’car ….lorry…..you bloody idiots! ‘ again and again through both the first half and the second . It was ok once maybe twice , but so many times ! No ….sorry , too over used and quickly became tired. At times the actors talked over each other , and although we were in a small intimate theatre in the round , a lot of the dialogue was lost , volume wise and through talking over . There was just nothing happening in the play . Not enough movement , no interesting dialogue . As avid theatre goers , at least 30 trips a year , this was low on our enjoyment scale . Sorry :-( .