Writers: Henry Lewis, Jonathan Sayer & Henry Shields
Director: Mark Bell
Reviewer: Clare White
Mischief Theatre Company’s The Play That Goes Wrong started life as a one-act play, performed in a tiny room above a pub. Back in 2012, LAMDA graduates Henry Lewis, Jonathan Sayer and Henry Shields worked in Gourmet Burger Kitchen, a call centre and behind a bar during the day and performed their play at night. Fast forward five years and the hit comedy has received multiple awards and is currently enjoying successful runs in the West End, on Broadway and in theatres around the UK.
In a good-natured parody of amateur theatre, mayhem ensues when The Cornley Polytechnic Drama Society attempt to stage 1920s murder mystery Murder at Haversham Manor. The hapless players lurch from one disaster to the next, and everything that can go wrong, does go wrong – there are doors that won’t open, cues that are missed, a leading lady with concussion and a set teetering on the brink of collapse.
Right from the off, it’s genuinely laugh-out-loud funny and clear to see why this play-within-a- play has been such a hit. Starting before the audience has even taken their seats, the society’s director Chris Bean (Patrick Warner) runs around the theatre foyer in a blind panic, setting the tone for the hysteria that is to follow.
On stage, there is seriously fast-paced comedy, slapstick and farce. A bit like Mr Bean meets Monty Python, it’s utterly silly but really good fun, and technically, spot on. Expertly choreographed by director Mark Bell, parts of the set collapse and various cast members are knocked out cold but the show must go on, and in true British-style, they soldier on, determined to finish what they started.
The small ensemble cast is incredibly tight, executing perfectly timed slapstick and gags at a ferocious pace. There are no weak links, like a neat puzzle of an abstract picture; each member contributes to the hilarity and in turn, the success of the production. Alastair Kirton’s portrayal of the affable Max Bennett, who plays Cecil Haversham in the murder mystery is particularly fun, as is Katie Bernstein, as the stage manager/come unexpected understudy and Graeme Rooney as the lazy lighting and sound operator Trevor.
At times there is so much physical comedy happening on stage and the laughter from the audience justifiably loud, it’s difficult to catch all of the dialogue and some jokes are missed. However, it takes a lot of skill to make chaos look like chaos, without it actually just looking like a mess, and that is successfully achieved here. Yes, situations overplayed and roles are hammed up to the max, but with tongue firmly in cheek, it is a hilarious and inspired caricature of amateur dramatics.
Some of the jokes are a bit dragged out, and if you are after some sophisticated comedy, this might not be for you. However, it is funny, clever and thoroughly enjoyable and goes down a storm with the audience. The Play That Goes Wrong undoubtedly gets it right.
Runs until 8 April 2017 | Image: Helen Murray