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Tag Archives: Nigel Hess

Much Ado About Nothing – Opera House, Manchester

Writer: William Shakespeare Director: Christopher Luscombe Reviewer: Jim Gillespie This collaboration between the Royal Shakespeare Company and the Chichester Festival Theatre enjoys a brief residency in Manchester before moving to the West End. It's paired with Love’s Labour’s Lost, sharing cast and creatives, as well as set and period setting. But while the fading Edwardian era is common to both ...

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Love’s Labour’s Lost – Opera House, Manchester

Writer: William Shakespeare Director: Christopher Luscombe Reviewer: Jim Gillespie This collaboration between the Royal Shakespeare Company and the Chichester Festival Theatre enjoys a brief residency in Manchester before wending its way West End-wards. It is paired with Much Ado About Nothing, sharing cast and creatives, as well as set and period setting. But while the fading Edwardian era is common ...

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Much Ado About Nothing – Festival Theatre, Chichester

Writer: William Shakespeare Director: Christopher Luscombe Reviewer: Bill Avenell   The Royal Shakespeare Company and Chichester Festival Theatre treat the press to a double bill of Love’s Labour’s Lost and Much Ado About Nothing, presented one after the other, raising the often debated subject of is Much Adoindeed the lost Love’s Labour’s Won. Here is a chance to see both ...

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Love’s Labour’s Lost – Festival Theatre, Chichester

Edward-Bennett-Tunji-Kasim-Sam-Alexander-in-LOVES-LABOURS-LOST-at-CFT

Writer: William Shakespeare Director: Christopher Luscombe Reviewer: Bill Avenell For the press day, the two productions from the Royal Shakespeare Company at Chichester Theatre of Love’s Labour’s Lost and Much Ado About Nothing are presented one after the other. Whether Much Ado is indeed the lost Love’s Labour’s Won has been much debated but it is certainly an interesting experience ...

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Nell Gwynn – Shakespeare’s Globe, London

Writer: Jessica Swale Director: Christopher Luscombe Reviewer: Stephen Bates   Following hot on the heels of Shakespeare in Love and Mr Foote’s Other Leg, Jessica Swale’s new play continues London theatre’s current preoccupation with itself, telling the story of the young woman who rose from the gutters to the stage and then to the bedchamber of King Charles II. In ...

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Love’s Labour’s Lost: RSC Live Broadcast – Gala Theatre, Durham

Writer: William Shakespeare Director: Christopher Luscombe Reviewer: Anna Ambelez Reality versus fantasy, love, desire, reckoning and rationalization. These are themes in Love’s Labour’s Lost. Ferdinand King of Navarre (Sam Alexander) and his three companions, Berowne (Edward Bennett), Dumaine (Tunji Kasim) and Longaville (William Belchambers) vow to forsake the company of women for three years in order to study and fast. ...

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Love’s Labour’s Lost and Love’s Labour’s Won (Much Ado About Nothing) – The Royal Shakespeare Theatre, Stratford-upon-Avon

Writer: William Shakespeare Director: Christopher Luscombe Reviewer: James Garrington Artistic Director of the Royal Shakespeare Company, Gregory Doran. tells us in the programme notes that he has long held the opinion that Love’s Labour’s Lost and Much Ado About Nothing belong together. At the end of Love’s Labour’s Lost two of the lovers, Berowne and Rosaline, are unable to be ...

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Admission One Shilling – The Brunton, Musselburgh

Deviser: Nigel Hess Director: Christopher Luscombe Reviewer: Val Baskott One shilling equalled six Woodbines or three pints of beer when war broke out in 1939. Myra Hess, already an internationally acclaimed concert pianist for three decades, felt keenly the need to keep classical music alive and accessible during wartime restrictions. Foregoing her USA tour, she lobbied and used her influence ...

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