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Tag Archives: Mathias Dingman

Sleeping Beauty – Wales Millennium Centre, Cardiff

Music:  Pyotr Ilyich Tchaikovsky Choreography: Marius Petipa, Lev Ivanov, Peter Wright Director: David Bintley Reviewer: Barbara Michaels One of the stars in the firmament of the Birmingham Royal Ballet company, their production of The Sleeping Beauty, first staged by the company in 2010, is one of the best. Not surprisingly, it remains an important part of their repertory, and is, ...

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The Sleeping Beauty – Birmingham Hippodrome

Music: Pyotr Illyich Tchaikovsky Choreographer: Marius Petipa/Peter Wright Reviewer: John Kennedy Shamelessly romantic, this Sleeping Beauty awakens the senses through a seduction of somnambulant stealth. Firmly in the classical repertoire’s treasure-chest marked Opulent Baroque: Excess In All Arenas, tonight’s extravagant costume-drama from the wardrobe of Mount Olympus blushes not a jot at its OTT self-indulgence. Philip Prowse’s design, an opulent neo-classical Renaissance ...

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Aladdin – Theatre Royal, Plymouth

Choreographer: David Bintley Music: Carl Davis Reviewer: Helen Tope Aladdin, with its magic Genie and flying carpet, may not seem the most obvious choice for a ballet. But in a brand new production, Birmingham Royal Ballet makes a compelling case as to why we should take this pantomime favourite much more seriously. The challenge Birmingham Royal Ballet has is in the reshaping of ...

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The Tempest – Birmingham Hippodrome

The Tempest_BRB, Prospero; Iain Mackay, Miranda; Jenna Roberts, Ferdinand; Joseph Caley, Ariel; Mathias Dingman, Trinculo; James Barton, Stephano; Valentin Olovyannikov, Caliban; Tyrone Singleton, Antonio; Domonic Antonucci, Juno; Delia Mathews, Ceres; Celine Gittens, Iris; Yvette Knight, Pan; Tzu_Chao Chou,

Choreographer:David Bintley Reviewer: Laura Jayne Bateman Over 30 years in the making, Birmingham Royal Ballet premieres a new version of Shakespeare’s The Tempest400 years after his death. Choreographed by company director David Bintley and with an entirely original score by Sally Beamish, the production offers visual spectacle and superb dancing within a largely faithful adaptation of Shakespeare’s final play. Alonso, ...

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Birmingham Royal Ballet: Shakespeare Dream Bill – The Lowry, Salford

Director: David Bintley Choreography: Jessica Lang, José Limón, Frederick Ashton Reviewer: Peter Jacobs The Birmingham Royal Ballet present a Shakespeare-themed triple bill of works as part of their own year-long celebration of the 400th anniversary of the Bard’s death. For Manchester and Salford audiences this has the added interest of the company presenting a varied selection of more diverse works ...

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Romeo and Juliet – Theatre Royal, Plymouth

Choreographer:Kenneth MacMillan Composer:Sergei Prokofiev Conductor:Paul Murphy Reviewer: Karen Bussell   To mark the 400th anniversary of Shakespeare’s death, BRB has compiled a touring programme of adaptations of the Bard’s works delighting Plymouth first with Prokofiev’s Romeo and Julietand then returning in the autumn with both a themed triple bill and David Bintley’s brand new The Tempest. Kenneth MacMillan wrings every ...

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Birmingham Royal Ballet: Romeo and Juliet – Theatre Royal, Nottingham

Birmingham Royal Ballet 's Romeo and Juliet

Music: Sergei Prokofiev Choreographer: Kenneth MacMillan Reviewer: Laura Bateman Romeo and Juliet is one of the most celebrated ballets in the modern repertoire. Choreographed by Kenneth MacMillan for The Royal Ballet, it premiered in 1965 with Rudolph Nureyev and Margot Fonteyn in the title roles. It has since become a staple of both The Royal Ballet’s and Birmingham Royal Ballet’s ...

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Ashton Double Bill – Birmingham Hippodrome

The Dream - Oberon and Titania from Ashton's Double Bill.jpg

Music: Felix Mendelssohn and Frederick Chopin Choreographer: Frederick Ashton Reviewer: Laura Jayne Bateman   The repertoire of Frederick Ashton is one of the most revered in British ballet. Widely credited as the creator of a specifically ‘English’ genre of ballet, Ashton became director of The Royal Ballet in 1963 and presided over one of the company’s golden ages. In the ...

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