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USA Reviews

Don’t Feed the Indians: A Divine Comedy Pageant! – La Mama, New York

(Dont Feed the Indians)(La Mama, NYC) (c)Maya Bitan

Writer & Director: Murielle Borst-TarrantReviewer: Jamie RoslerThere are several uncomfortable conversations that should be had by the United States of America, as a nation. One could easily point out that the U.S.A. is built on certain European ideals and beliefs, the acting out of which forms the foundation of the longest-lasting and arguably least had uncomfortable conversation. Don’t Feed the ...

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MUD – Teatro Círculo, New York

(Mud) (Teatro Circulo) (NYC) (c)Al Foote III

Writer: Maria Irene Fornés Director: Elena Araoz Reviewer: Robert Price Mae is doing her best to learn to read at school but she has trouble retaining. At home she irons the pristine clothes of other people while she cooks for Floyd. Floyd can’t read at all but he’s proud of his accomplishments. He postures and brags like a seven-year-old about ...

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Arden/Everywhere – Baruch Performing Arts Center, New York

(Arden/Everywhere) (Baruch PAC) (NYC) (c)Russell Rowland

Writer: William Shakespeare Director & Adaptor: Jessica Bauman Reviewer: Adrienne Sowers New Feet Productions’ adaptation of As You Like It highlights the international refugee crisis with its staging of Shakespeare’s classic tale of exile and hidden identity. Hinting at modernity but with no tangible time period, the production creates a sense of timelessness amid a set consisting of wooden pallets ...

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Squeamish – Theatre Row (Beckett Theatre), New York

(Squeamish) (Theatre Row) (NYC) (c)Maria Baranova

Writer & Director: Aaron Mark Reviewer: Robert Price Sharon visits Dr. Schneider on the Upper West Side in the middle of the night, because she is desperate and genuinely scared. She sits in a winged chair with a coffee cup and tells him (us) about the last five months. She hasn’t talked to Dr. Schneider since her birthday, when she ...

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Syncing Ink – The Flea Theater, New York, NY

(Syncing Ink) (The Flea Theater) (NYC) (c)Joan Marcus

Writer: NSangou Njikam Director: Niegel Smith Reviewer: Carrie Lee O’Dell In a July episode of NPR’s Code Switch podcast, Hip Hop DJs Stretch Armstrong and Bobbito describe the genre in the mid- to late-1980s as evolving into something “political and wonderfully Black-conscious.” NSangou Njikam’s play Syncing Ink, playing at The Flea’s new space The Sam, taps into that energy of ...

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The Miss Ogynistic Beauty Pageant – The Duplex Cabaret, New York City

(Miss Ogynistic Beauty Pageant) (Duplex, NYC)

Reviewer: Adrienne Sowers Benefiting various women’s shelters throughout New York, the one-night engagement of The Miss Ogynistic Beauty Pageant sets typical beauty pageant tropes on their heads. With men as contestants, the pageant creates clever send-ups of patriarchal constructs outside of the pageant world using the beauty competition format as framework. Featuring one former Miss America (Kirsten Haglund), two former ...

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Cry Baby: My (Reluctant) Journey Into Motherhood – The PIT, New York

Jamie Aderski's Cry Baby: My (Reluctant) Journey Into Motherhood [poster image]

Writer: Jamie Aderski Director: Chris Roberti Reviewer: Carrie Lee O’Dell Despite what the images of glamorous celebrity pregnancy that parade across our news feeds tell us, having babies is messy business. Keeping them alive and healthy while trying to maintain one’s sanity is even more complicated. In her show Cry Baby: My (Reluctant) Journey Into Motherhood, Jamie Aderski offers up ...

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Up The Rabbit Hole – Theater for the New City, New York

Writer: Andy Halliday Director: G. R. Johnson Reviewer: Robert Price Jack Harris is doing cocaine. His mother doesn’t know that, but she’s disappointed he didn’t show up to dinner. The nice guy he met, Robert, has no idea Jack has a problem. He really likes Jack, and keeps telling him that. When Jack tracks down his birth mother and half ...

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