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All Reviews

Home – The Northcott Theatre, Exeter

Writers: Lucy Garland, Amber Onat Gregory Director: Kate O’Connor Reviewer: Charlie Hackett Frozen Light Theatre specialises in creating theatre for audiences with Profound and Multiple Disabilities and from its very beginning, Home is a unique and expertly devised theatrical experience. Scarlett (Lucy Garland) and Olive (Amber Onat Gregory), take the time to personally welcome each audience member into their world. ...

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Christopher Purves and Simon Lepper – Howard Assembly Room, Leeds

Reviewer: Ron Simpson Opera North’s programme for the Howard Assembly Room is always impressively varied, with jazz, world music and film extensively represented, but this recital took them nearer to home base. Christopher Purves’ most recent appearance with Opera North was as Gianni Schicchi as recently as two years ago. The programme was cleverly planned, four contrasted sets of songs ...

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The Far Side Of The Moon – Theatre Royal Plymouth

Writer and Director: Robert Lepage Reviewer: Marina Spark Renowned playwright and dramatist Robert Lapage brings his world famous production The Far Side Of The Moon to the Lyric stage at the Theatre Royal Plymouth in a stunning revival almost two decades since its conception.Unusually for a piece so heavily set in historical commentary almost every aspect of this production is ...

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The Men Who March Away – St Anne’s, Limehouse, London

Books, Lyrics and Music: Mike Batt Reviewer: Maryam Philpott While commemoration activity for the First World War focuses primarily on sacrifice and loss, it’s easy to forget that, for the civilians who lived through it and the men who came home, 1918 was never the end of their story. Not only had war had changed them, but veterans returned to ...

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Ordinary Days – Old Joint Stock, Birmingham

The cast of Ordinary Days: Lisa MacGregor, Duncan Burt, James Edge, Alicia Barban

Music and Lyrics: Adam Gwon Director: Karl Steele Reviewer:  Selwyn Knight Claire and Jason are a couple trying to work out how to live together but pulling in different directions. Jason is intoxicated with his love for her; she is inexplicably more resistant. Deb has drifted into graduate school and - horror of horrors - has somehow lost her notes ...

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The Game – Contact, Manchester

Reviewer: Hannah Hiett Devised with women formerly and currently working in the sex industry, The Game explores the act of buying sex – the rules, the language and the power structures. The Game promises us ‘a real-life game, with levels and consequences.’ And, although some of the pageantry of a game show is here (the musical interludes, the faintly tyrannical ...

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Lolling and Rolling – HOME, Manchester

Reviewer: Andrea Allen Attempting a social, political and linguistic history of the Westernisation of South Korean culture is no mean feat, trying to communicate the entire thing in a second language that you’re not entirely confident in should make it impossible, not for Jaha Koo. Lolling and Rolling is a condensed, well-informed narrative revealed in part through the fictional story ...

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Who’s Afraid of Virginia Woolf? – Harold Pinter Theatre, London

Writer: Edward Albee Director: James Macdonald Reviewer: Maryam Philpott Venomous, cruel and alcoholic, Edward Albee’s Martha is a delicious creation and in his portrait of an academic marriage gone horribly wrong, she can easily seem a monster battering her downtrodden husband George. But Who’s Afraid of Virginia Woolf? is a play about illusions and while the characters present one face ...

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